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Hilarious comedy of the worst singer in the world In 1940's New York, the performer who everyone wanted to see live was Florence Foster Jenkins, an enthusiastic soprano whose pitch was far from perfect. Known as 'the first lady of the sliding scale', she warbled and screeched her way through the evening to an audience who mostly fell about with laughter. But this delusional and joyously happy woman paid little attention to her critics, instead she was surrounded by a circle of devoted friends who were almost as eccentric as she was. Based upon a true story, the play spins from Florence's charity recitals and extravagent balls, through to her bizarre recording sessions and an ultimate triumph at Carnegie Hall in this hilarious and heart-warming comedy. Glorious! is published to tie-in with the premiere at Birmingham Repertory Theatre, starring Maureen Lipman. 'Never less than riveting' Scotsman 'Comically sublime' Guardian 'Delightful and often blissfully funny ... This is a cult hit if ever I saw one' Daily Telegraph 'Lunatically funny comedy ... Maureen Lipman gives a virtuoso performance, glittering, hilarious and technically breathtaking' Sunday Times
Proceedings of the XV IUPPS World Congress (Lisbon, 4-9 September 2006) This book contains both English and French papers.
How Lenin’s regime turned Russia’s priceless cultural patrimony into armored cars, trains, planes, and machine guns Historians have never resolved a central mystery of the Russian Revolution: How did the Bolsheviks, despite facing a world of enemies and leaving nothing but economic ruin in their path, manage to stay in power through five long years of civil war? In this penetrating book, Sean McMeekin draws on previously undiscovered materials from the Soviet Ministry of Finance and other European and American archives to expose some of the darkest secrets of Russia’s early days of communism. Building on one archival revelation after another, the author reveals how the Bolsheviks finan...
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"Having freed his country from foreign oppressors, Colonel Kristian Barutanski governs Blitva with an iron fist. He is opposed by Niels Nielsen, a melancholy intellectual who rails against the dictator and the hypocrisy and moral bankruptcy of society Barutanski recognizes in Nielsen a genuine foe; yet Nielsen, haunted by his own lapses of conscience, struggles to escape both the regime and the role of opposition leader thrust upon him. He flees to the neighboring state of Blatvia - and finds his new country as corrupt and as tyrannical as the one he called home." --Book Jacket.
Was the Bolshevik success in Russia during the revolution and civil war years a legitimate expression of the will of the people? Or did Russian workers, peasants, bourgeoisie, and upper-class groups pose numerous challenges to Bolshevik authority, challenges that were put down through unyielding repression? In this book distinguished scholars from East and West draw on recently opened archives to challenge the commonly held view that the Bolsheviks enjoyed widespread support and that their early history was simply a march toward inevitable victory. They show instead that during this period Russian society was at war with itself and with the Bolsheviks. Authors discuss such previously neglect...
"Drawing extensively on recently opened Moscow archives, McMeekin chronicles Munzenberg's political career throughout the 1920s and 1930s. He describes how Munzenberg parlayed his friendship with Lenin into a media empire, leveraging his corporate ventures against the currency of his reputation in the Kremlin. He explains how Munzenberg's mysterious financial manipulations outraged Social Democrats and lent rhetorical ammunition to the Nazis and how, by the last years of the Weimar Republic, Munzenberg and his Nazi counterpart Joseph Goebbels were firing off reckless propaganda salvos, feeding a destructive spiral of lies that poisoned the political atmosphere irrevocably.".
The twelve essays in Women and Wealth in Late Medieval Europe re-examine the vexing issue of women, money, wealth, and power from distinctive perspectives - literature, history, architectural history - using new archival sources. The contributors examine how money and changing attitudes toward wealth affected power relations between women and men of all ranks, especially the patriarchal social forces that constrained the range of women s economic choices. Employing theories on gender, culture, and power, this volume reveals wealth as both the motive force in gender relations and a precise indicator of other, more subtle, forms of power and influence mediated by gender.