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"Gender, Culture and Development in Africa interrogates ways in which gender, culture, and development in the African context reinforce, shape, and reshape one another. In four parts, comprising fifty chapters, the book provides stimulating debates and constructive engagements about the enactment of gender and power relations within the African context and its implications for development outcomes. The engaging and carefully organised chapters furnish the readers with a sumptuous "buffet" of narratives, pedagogical dialogues and critical discourses on African women and men in their varied cultural, political, economic and social contexts. The multidisciplinary approach traversing literary studies, education, political science, religious studies, linguistics, history, economics, and law, amongst others, makes the book relevant to scholars of gender and African studies across these disciplines. Mobolanle Ebunoluwa Sotunsa is a Professor of Gender Studies and African Oral Literatures in the Department of Languages and Literary Studies, Babcock University, Nigeria. Olajumoke Yacob-Haliso is an Associate Professor of Political Science at Babcock University, Nigeria"--Amazon.com
This book will provide empirical engagements of African women in the private and public spaces and their adaptations, alterations and and integration of the private and public spaces. This approach is contrary to most existing studies which may not necessarily provide contextual and empirical evidences of the debates about the spaces of women or interrogate both the private and public spaces in a single volume. This book will offer a novel insight into gender and power dynamics, especially as it relates to the cultural spaces, private spaces and public spaces which African women occupy and subjugate. The fourteen papers in this book critically examine the African women in different positions within the private and public spaces, the strong inhibiting presence of patriarchy, and the resistance women display to empower themselves.
Imagining Vernacular Histories is centered on the idea of engaging with indigenous African cosmologies that signal at pluriversality. In conversation with Toyin Falola’s reading of the African pluriverse and his exploration of the idea of “ritual archives,” the contributors to this volume rethink the historical archive in search of vernacular histories. Simultaneously, they recognize the contributions from various other disciplines in pluralizing the term vernacular. The book brings together a wide range of topics, such as reflections on African historiography; the relationship between memory, history and literature; gender relations; and the construction of historical archives. While ...
This book provides balanced critical linguistic and literary representations of gender and power relations in Ghanaian and Nigerian texts, contrary to most existing literary and linguistic studies on gender that have either focused on male chauvinism or male emasculation. This text provides novel insight into gender dynamics, liberation and empowerment especially as it relates to language and power dynamics in Africa.
This volume critiques postcolonial African historiography, certain misconceptions about vernacular epistemologies including gender and sexuality and the making of the historical archive.
This handbook offers the most comprehensive, analytic, and multidisciplinary study of oral traditions and folklore in Africa and the African Diaspora to date. Preeminent scholars Akintunde Akinyemi and Toyin Falola assemble a team of leading and rising stars across African Studies research to retrieve and renew the scholarship of oral traditions and folklore in Africa and the Diaspora just as critical concerns about their survival are pushed to the forefront of the field. With five sections on the central themes within orality and folklore – including engagement ranging from popular culture to technology, methods to pedagogy – this handbook is an indispensable resource to scholars, students, and practitioners of oral traditions and folklore preservation alike. This definitive reference is the first to provide detailed, systematic discussion, and up-to-date analysis of African oral traditions and folklore.
This issue of Matatu offers cutting-edge studies of contemporary Nigerian literature, a selection of short fiction and poetry, and a range of essays on various themes of political, artistic, socio-linguistic, and sociological interest. Contributions on theatre focus on the fool as dramatic character and on the feminist theatre of exclusion (Tracie Uto-Ezeajugh). Several essays examine the poetry of Hope Eghagha and the Delta writer Tanure Ojaide. Studies of the prose fiction of Chinua Achebe, Tayo Olafioye, Uwem Akpan, and Chimamanda Adichie are complemented by a searching exposé of the exploitation of Ayi Kwei Armah on the part of the metropolitan publishing world and by a recent interview...
In Global Yorùbá, renowned scholar Toyin Falola covers the history, people, traditions, environment, religion, spirituality, cosmology, culture, and philosophy of one of Africa's largest cultural groups, the Yorùbá, all while considering the people's relationship with their immediate and distant neighbors. Falola examines how the Yorùbán people have adapted to their environment and tapped it to (re)invent their civilization, shape their culture and traditions, and inform their socioeconomic relations with their neighbors. These interactions have guided the Yorùbá philosophy that developed over time, expressing their conviction regarding society's evolution and the place that humans occupy within it. This web of knowledge can present a more coherent account than any other text yet produced regarding Yorùbá civilization. This volume demonstrates how global dynamics have been adopted in the creation of a Yorùbá community across different times and spaces.
The Complex Interplay between Power, Politics, and African Agency: The Philosophy of Toyin Falola by Serges Djoyou Kamga examines the impact of colonialism by using Toyin Falola’s philosophy as a framework. It delves into the evolution of African political culture under colonial rule. This book offers a unique perspective on the intricate dynamics of African society, providing a deeper understanding of how power and politics have shaped African culture. Kamga emphasizes the complex interplay between these elements and highlights the significance of African voices in determining their own destiny. Using Falola’s works, this book analyzes and critiques the influence of Europe and establishes the ongoing unequal relationship between ex-colonized African countries and their imperialist colonizers. This book is highly recommended for scholars of African studies, political science, and anyone interested in African history and culture.
This book will provide empirical engagements of African women in the private and public spaces and their adaptations, alterations and and integration of the private and public spaces. This approach is contrary to most existing studies which may not necessarily provide contextual and empirical evidences of the debates about the spaces of women or interrogate both the private and public spaces in a single volume. This book will offer a novel insight into gender and power dynamics, especially as it relates to the cultural spaces, private spaces and public spaces which African women occupy and subjugate. The fourteen papers in this book critically examine the African women in different positions within the private and public spaces, the strong inhibiting presence of patriarchy, and the resistance women display to empower themselves.