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Rhythmic Structure in Iranian Music
  • Language: en
  • Pages: 386

Rhythmic Structure in Iranian Music

  • Type: Book
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  • Published: 2011
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  • Publisher: Azadehfar

None

Epic and Music
  • Language: fa
  • Pages: 164

Epic and Music

None

The Routledge Companion to Ethics and Research in Ethnomusicology
  • Language: en
  • Pages: 369

The Routledge Companion to Ethics and Research in Ethnomusicology

The Routledge Companion to Ethics and Research in Ethnomusicology is an in-depth survey of the moral challenges and imperatives of conducting research on people making music. It focuses on fundamental and compelling ethical questions that have challenged and shaped both the history of this discipline and its current practices. In 26 representative cases from across a broad spectrum of geographical, societal, and musical environments, authors collectively reflect on the impacts of ethnomusicological research, exploring the ways our work may instantiate privilege or risk bringing harm, as well as the means that are available to provide recognition, benefit, and reciprocation to the musicians a...

A Distinctive Voice in the Antipodes
  • Language: en
  • Pages: 519

A Distinctive Voice in the Antipodes

  • Type: Book
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  • Published: 2017-07-17
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  • Publisher: ANU Press

This volume of essays honours the life and work of Stephen A. Wild, one of Australia’s leading ethnomusicologists. Born in Western Australia, Wild studied at Indiana University in the USA before returning to Australia to pursue a lifelong career with Indigenous Australian music. As researcher, teacher, and administrator, Wild’s work has impacted generations of scholars around the world, leading him to be described as ‘a great facilitator and a scholar who serves humanity through music’ by Andrée Grau, Professor of the Anthropology of Dance at University of Roehampton, London. Focusing on the music of Aboriginal Australia and the Pacific Islands, and the concerns of archiving and aca...

Thought and Play in Musical Rhythm
  • Language: en
  • Pages: 457

Thought and Play in Musical Rhythm

Thought and Play in Musical Rhythm offers new understandings of musical rhythm through the analysis and comparison of diverse repertoires, performance practices, and theories as formulated and transmitted in speech or writing. Editors Richard K. Wolf, Stephen Blum, and Christopher Hasty address a productive tension in musical studies between universalistic and culturally relevant approaches to the study of rhythm. Reacting to commonplace ideas in (Western) music pedagogy, the essays explore a range of perspectives on rhythm: its status as an "element" of music that can be usefully abstracted from timbre, tone, and harmony; its connotations of regularity (or, by contrast, that rhythm is what ...

موسیقی در فلسفه و عرفان
  • Language: fa

موسیقی در فلسفه و عرفان

  • Type: Book
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  • Published: 2016
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  • Publisher: Unknown

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The Drum
  • Language: en
  • Pages: 473

The Drum

In The Drum: A History, drummer, instructor, and blogger Matt Dean details the earliest evidence of the drum from all regions of the world, looking at cave paintings, statues, temple reliefs, burial remains, even existing relics of actual drums that have survived for thousands of years. Highlighting the different uses and customs associated with drumming, Dean examines how the drum developed across many cultures and over thousands of years before it became the instrument we know today. A celebration of this remarkable instrument, The Drum explores how war, politics, trade routes, and religion influenced the instrument's development. Bringing its history to the present, Dean considers the mod...

The Moral Psychology of Boredom
  • Language: en
  • Pages: 333

The Moral Psychology of Boredom

Whether we like it or not, boredom is a major part of human life. It permeates our personal, social, practical, and moral existence. It shapes our world by demarcating what is engaging, interesting, or meaningful from what is not. It also sets us in motion insofar as its presence can motivate us to act in a plethora of ways. Indeed, in our search for engagement, interest, or meaning, our responses to boredom straddle the line between the good and the bad, the beneficial and the harmful, the creative and the mundane. In this volume, world-renowned researchers come together to explore a neglected but crucially important aspect of boredom: its relationship to morality. Does boredom cause individuals to commit immoral acts? Does it affect our moral judgment? Does the frequent or chronic experience boredom make us worse people? Is the experience of boredom something that needs to be avoided at all costs? Or can boredom be, at least sometimes, a solution and a positive moral force? The Moral Psychology of Boredom sets out to answer these and other timely questions.

Out of My Skull
  • Language: en
  • Pages: 289

Out of My Skull

A Behavioral Scientist Notable Book of the Year A Guardian “Best Book about Ideas” of the Year No one likes to be bored. Two leading psychologists explain what causes boredom and how to listen to what it is telling you, so you can live a more engaged life. We avoid boredom at all costs. It makes us feel restless and agitated. Desperate for something to do, we play games on our phones, retie our shoes, or even count ceiling tiles. And if we escape it this time, eventually it will strike again. But what if we listened to boredom instead of banishing it? Psychologists James Danckert and John Eastwood contend that boredom isn’t bad for us. It’s just that we do a bad job of heeding its gu...

Music Theory in the Safavid Era
  • Language: en
  • Pages: 449

Music Theory in the Safavid Era

  • Type: Book
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  • Published: 2018-10-25
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  • Publisher: Routledge

The Safavid era (1501–1722) is one of the most important in the history of Persian culture, celebrated especially for its architecture and art, including miniature paintings that frequently represent singers and instrumentalists. Their presence reflects a sophisticated tradition of music making that was an integral part of court life, yet it is one that remains little known, for the musicological literature of the period is rather thin. There is, however, a significant exception: the text presented and analysed here, a hitherto unpublished and anonymous theoretical work probably of the middle of the sixteenth century. With a Sufi background inspiring the use of the nay as a tool of theoretical demonstration, it is exceptional in presenting descriptive accounts of the modes then in use and suggesting how these might be arranged in complex sequences. As it also gives an account of the corpus of rhythmic cycles it provides a unique insight into the basic structures of art-music during the first century of Safavid rule.