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In her new collection, Toward, poet Moira Linehan makes us believe that landscape is destiny. As the book unfolds, we come to inhabit the land- and sea-scapes of the wild southwest of Ireland, the islands of America's Pacific Northwest, the poet's home in Massachusetts; and then round again, back to the land north of Dublin. The poet's eye and imagination capture lyrical, sonic, imagistic details of these places. So, too, their embedded history: the Famine, the days of the whaling industry, the speaker's paternal genealogy, are all woven in. But beyond those stories and images, the heart of this collection is the poet's missing lover--a presence haunting both landscape and memory. By means o...
If No Moon by award-winning author Moira Linehan documents the effects of profound loss and the dark withdrawal into grief. Wherever the author turns—the landscape of her backyard in Massachusetts, a Trappist monastery in Kentucky, the museums of Florence, or the cliffs of Inishmor in Ireland—she sees only the geography of emptiness. Crossovers between craft and art, form and voice, knitting and memory, recur throughout the poems. Lying within the tradition of narrative poetry, elegy, and the lyric, the collection reveals the mysterious journey of return. Coming full circle to find again the lyrical and the transcendent within the everyday, beauty eventually wins out. If No Moon, accessible to all who have or will experience loss, is the voice of one who has come to understand that there is no other work but starting over.
In her new collection, Toward, poet Moira Linehan makes us believe that landscape is destiny. As the book unfolds, we come to inhabit the land- and sea-scapes of the wild southwest of Ireland, the islands of America's Pacific Northwest, the poet's home in Massachusetts; and then round again, back to the land north of Dublin. The poet's eye and imagination capture lyrical, sonic, imagistic details of these places. So, too, their embedded history: the Famine, the days of the whaling industry, the speaker's paternal genealogy, are all woven in. But beyond those stories and images, the heart of this collection is the poet's missing lover--a presence haunting both landscape and memory. By means o...
"Intensely and unapologetically homoerotic in content and theme, this book explores the limits of sexual intimacy, familial intimacy, and the attachments we have to ourselves, arguing that our connections to each other may be lovely or painful, static or constantly shifting, but are, above all, unavoidable and necessary"--
Poetry. Linehan's fourth collection, & COMPANY, now presented by Dos Madres Press, moves into a new setting, subject, and style. In a search to know her maternal grandmother, Linehan turns to the documentation painters left of the fashion worlds in Paris and Boston in which her grandmother worked as a dress designer and seamstress. Those paintings let her imagine her grandmother in the heart of those worlds. At times as background, at times as foreground, they are the source of many of the narrative and ekphrastic poems in this collection. Among those poems are also elegies for her own mother.
"In Into Each Room We Enter without Knowing, poet Charif Shanahan explores the various ways in which we as a species inherit identity constructs, chiefly about race and sexuality, and how we navigate those constructs in the creation of our identities"--
In Vanishing Acts, Brian Barker cements his reputation as one of contemporary poetry’s great surrealists. These prose poems read like dreams and nightmares, fables and myths. With a dark whimsicality, Barker explores such topics as extinction, power, class, the consequences of tyranny and war, and the ongoing destruction of the environment in the name of progress. A linked sequence of poems forms the book’s backbone, with an oracular voice from the future heralding the return—or hoped for return—of common animals. Part lyrical odes, part creation myths, part excerpts from a bizarre guide for naturalists, these poems mix fact and fiction, science and fable to create an unsettling visi...
Monica Berlin’s Nostalgia for a World Where We Can Live resides at the turbulent confluence of relentless news cycles and the repeated rending of our interior lives. In Berlin’s poetry sorrow makes its own landscape—solitary, intimate, forward-looking. Whether we attempt to traverse it or choose bypass, her poems show us where we live, how we carry on. These poems notice the day in the wind, the night tucked up to the train tracks, and a slipping-in of yesterday, memory-laden, alongside the promise of a more hopeful tomorrow. Here is the Midwest, vibrant and relic, in the ongoing years of collapse and recovery. Here the constant companionship of weather lays claim to its own field of v...
"In Instructions: Abject and Fuming, poet Julianna Baggott wrote some of the poems using words long lost from the English language, challenging our current language's sense of restraint. Other poems are about faith, quite directly, set against the backdrop of contemporary life"--
Language as key and map to places, people, and histories lost For immigrants and migrants, the wounds of colonization, displacement, and exile remain unhealed. Crossing oceans and generations, from her childhood home in Baguio City, the Philippines, to her immigrant home in Virginia, poet Luisa A. Igloria demonstrates how even our most personal and intimate experiences are linked to the larger collective histories that came before. In this poetry collection, Igloria brings together personal and family histories, ruminates on the waxing and waning of family fortunes, and reminds us how immigration necessitates and compels transformations. Simultaneously at home and displaced in two different ...