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LONGLISTED FOR THE AUTHORS' CLUB BEST FIRST NOVEL AWARD 'Thrillingly original' Naoise Dolan 'Exquisite' Daily Telegraph Twenty years ago, Oona left the island of Inis for the very first time. A wind-blasted rock of fishing boats and turf fires, where girls stayed in their homes until they became mothers themselves, the island was a gift for some, a prison for others. The Island Child tells two stories: of the girl who grew up watching births and betrayals, storms and secrets, and of the adult Oona, desperate to find a second chance, only to discover she can never completely escape. As the strands of Oona’s life come together, in blood and marriage and motherhood, she must accept the price we pay when we love what is never truly ours . . .
The genre of Rajput painting flourished between the 16th and 19th centuries in the kingdoms that ruled what is now the Indian state of Rajasthan (place of rajas). Rajput paintings depicted the nobility and court spectacle as well as scenes from Krishna’s life, the Hindu epics, and court poetry. Many Rajput kingdoms developed distinct styles, though they shared common conventions. This important book surveys the overall tradition of Indian Rajput painting, while developing new methods to ask unprecedented questions about meaning. Through a series of in-depth studies, Aitken shows how traditional formal devices served as vital components of narrative meaning, expressions of social unity, and rich sources of intellectual play. Supported by beautiful full-color illustrations of rare and often inaccessible paintings, Aitken’s study spans five centuries, providing a comprehensive and innovative look at the Rajasthan’s court painting traditions and their continued relevance to contemporary art.
From E.M. Forster to Peter Matthiessen to Allen Ginsberg, many of the world's most acclaimed writers have traveled to the holy lands of India seeking spiritual enlightenment. Their lyrical and highly personal recollections are compiled here for the first time in one volume, taking readers on a colorful journey to each of the eight Buddhist pilgrimage sites of India.
"The volume revisits Coomaraswamy's Rajput Painting 100 years after its original publication and engages with new scholarship in the field. Exploring issues such as the relationship between text and image; portraiture and the interface between painting and photography; iconography, copying and radical changes of scale; the politics of pleasure; and the talismanic power of images, the essays probe the far-reaching cultural preoccupations of 16th- to early 20th-century India"--
In thirteenth-century Ireland, a woman with power is a woman to be feared. When a young Alice Kyteler sees her mother wither under the constraints of family responsibilities, she vows that she won't suffer the same fate. Soon Alice discovers she has a flair for making money, and builds a flourishing business. But as her wealth and stature grow, so too do the rumours about her private life. By the time she has moved on to her fourth husband, a blaze of local gossip and resentment culminates in an accusation that could prove fatal. Inspired by the first recorded person in Ireland to have been condemned as a witch, Bright I Burn gives voice to a woman lost to history, who dared to carve her own space in a man’s world.
It is 1910 and Philadelphia is burning. The last place Spring wants to be is in the run-down, colored section of a hospital surrounded by the groans of sick people and the ghost of her dead sister. But as her son Edward lays dying, she has no other choice. There are whispers that Edward drove a streetcar into a shop window. Some people think it was an accident, others claim that it was his fault, the police are certain that he was part of a darker agenda. Is he guilty? Can they find the truth? All Spring knows is that time is running out. She has to tell him the story of how he came to be. With the help of her dead sister, newspaper clippings, and reconstructed memories, she must find a way to get through to him. To shatter the silences that governed her life, she will do everything she can to lead Edward home.
Ollie talks about the feelings that he has been having since the death of his mother. Includes information for caregivers.
"India retains one of the richest painting traditions in the history of global visual culture, one that both parallels aspects of European traditions and also diverges from it. While European artists venerated the landscape and landscape paintings, it is rare in the Indian tradition to find depictions of landscapes for their sheer beauty and mood, without religious or courtly significance. There is one glorious exception: Painters from the city of Udaipur in Northwestern India specialized in depicting places, including the courtly worlds and cities of rajas, sacred landscapes of many gods, and bazaars bustling with merchants, pilgrims, and craftsmen. Their court paintings and painted invitat...
10 Useful but dangerous: photography and the Madras School of Art, 1850-73 -- 11 Temporal transformations: terracotta and trash -- Index
"This chapter sets out the located and multilingual approach to literary history employed in the book. It outlines the geographical and historical scope of the book and traces the changing political boundaries of Purab (East), the region east of Delhi in the Gangetic plain of northern India later better known as Awadh, from the fifteenth to the twentieth centuries. The presence of many small towns (qasbas), which were administrative, economic, and cultural nodes, but no capital city until the eighteenth century marks the decentered character of the region. The chapter also makes a case that the multilingual approach 'from the ground up employed in this book can help produce a richer and more textured take on world literature"--