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The Bedside Guide to No Tell Motel - Second Floor
Edited by Reb Livingston and Molly Arden, the second volume of No Tell Motel's Bedside Guide explores the multi-faceted aspects of desire and appeal. Including poems by Kristi Maxwell, Bruce Covey, Alison Stine, Evie Shockley, Jennifer L. Knox, Rebecca Loudon, Robyn Art, David Lehman, Didi Menendez, Charles Jensen, Jen Tynes, Clay Matthews, Kate Greenstreet, Aaron Belz, Carly Sachs, Margot Schilpp, Jill Alexander Essbaum, Hugh Behm-Steinberg, kari edwards, Michael Quattrone, Sueyeun Juliette Lee, Simon Perchik, Ron Klassnik, Peter Jay Shippy and many others.
The Bedside Guide to No Tell Motel
These poems will do ANYTHING. Edited by Reb Livingston and Molly Arden from No Tell Motel (www.notellmotel.org), this anthology includes seductive poems by over 80 of today's most discreet poets including Aaron Anstett, Bruce Covey, Catherine Daly, Denise Duhamel, Jill Alexander Essbaum, Amy Gerstler, Noah Eli Gordon, Jennifer Michael Hecht, Cynthia Huntington, Kirsten Kaschock, Amy King, Shin Yu Pai, Lance Phillips, P.F. Potvin, Standard Schaefer, Ravi Shankar, Heidi Lynn Staples, Allyssa Wolf and others.
The Oxford Book of American Poetry
Redefines the great canon of American poetry from its origins in the 17th century right up to the present.
The Stunt Double in Winter
modern poetry, English
Mary Day Orchard
The author wants the reader to know he is into LOVE – whether affecting his heart or someone else's – as is the main character in this book – who dispenses love freely – never condemning the actions of those who know nothing of its existence and the want to understand its absence. Love conquers insecurities, respect for one–self and others, fears and bullying. To exist without it is unacceptable. After the author drove away from an orphanage while visiting China – he questioned if an orphan had the right to ask for anything. The reader will travel approximately 19 years with the main character after being found on the front steps of an orphanage in an apple scented fruit box.
Harlot
Few poets' roots go deeper than the Romantics; Jill Alexander Essbaum's reach all the way to the Elizabethans. In her Harlot one hears Herbert and Wyatt and Donne, their parallax view of religion as sex and sex as religion, their delight in sin, their smirking penitence, their penchant for the conceit, their riddles and fables, their fondling and squeezing of language. But this "postulant in the Church of the Kiss" is a twenty-first century woman, a "strange woman" less bowed to confession than hell-bent on fairly bragging of threesomes and more complications than were wet-dreamt of in Mr. W. H.'s philosophy. - H. L. Hix
God Damsel
Reb Livingston (hymnographer, crier of laments, wry chronicler of blockages, seepages and Thingamabobs) combs the spiritual runes, tunes and ruined stockings that remain after traffic between the sexes. God Damsel is a fractured, fractious and funny allegory which just might get biblical on your ass. Check it out. -Tom Beckett
Western Film Series of the Sound Era
"This volume covers 30 western film series produced from the mid-1930s to the early 1950s. Included are such long-running series as Hopalong Cassidy, The Durango Kid and The Three Mesquiteers as well as those that had moderate or brief runs. The book contains a plot synopsis and an analysis of each series' place in cinema history"--Provided by publisher.
