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Fall in love with one of the bestselling novels of all time -- the legendary love story that became a beloved film starring Clint Eastwood and Meryl Streep. If you've ever experienced the one true love of your life, a love that for some reason could never be, you will understand why readers all over the world are so moved by this small, unknown first novel that they became a publishing phenomenon and #1 bestseller. The story of Robert Kincaid, the photographer and free spirit searching for the covered bridges of Madison County, and Francesca Johnson, the farm wife waiting for the fulfillment of a girlhood dream, The Bridges of Madison County gives voice to the longings of men and women everywhere -- and shows us what it is to love and be loved so intensely that life is never the same again.
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After a series of sex scandals rocked the film industry in 1922, movie moguls hired Will Hays to clear the image of movies. Hays tried a variety of ways to regulate movies before adopting what became known as the production code. Written in 1930 by a St Louis priest, the code stipulated that movies stress proper behaviour, respect for government, and 'Christian values'. The Catholic Church reinforced these efforts by launching its Legion of Decency in 1934. Intended to force Hays and Hollywood to censor films, the Legion of Decency engineered the appointment of Joseph Breen as head of the Production Code Administration. For the next three decades, Breen, Hays, and the Catholic Legion of Decency virtually controlled the content of all Hollywood films.
Now in its sixth edition, this essential guide for students provides accessible definitions of a comprehensive range of genres, movements, world cinemas, theories and production terms. This fully revised and updated book includes new topical entries that explore areas such as film and the environmental crisis; streaming and new audience consumption; diversity and intersectionality; questions related to race and representation; the Black Lives Matter movement; and New Wave Cinemas of Eastern European countries. Further new entries include accented/exilic cinema, border-cinema, the oppositional gaze, sonic sound and Black westerns. Existing entries have been updated, including discussion of #MeToo, and more contemporary film examples have been added throughout. This is a must-have guide for any student starting out on this fascinating area of study and arguably the greatest art form of modern times.
Hattie McDaniel was the first black to ever win an Oscar. She was also the first black woman to ever sing on American radio. In this fresh assessment of her life and career, Carlton Jackson tells the inside story of her working relationships, her personal life, and the many obstacles she faced as a black performer in the white world of show business during the first half of the twentieth century.
Adam Sandler is an American comedian, actor, screenwriter, producer, and musician. He was born on September 9, 1966, in New York City and grew up in Manchester, New Hampshire. Sandler first gained popularity as a cast member on Saturday Night Live from 1990 to 1995 and later, as a star of various Hollywood comedies from the late 1990s to the present. He is known for his humorous characters and his ability to tackle difficult comedic roles. Throughout his career, Sandler has written, produced, and starred in many popular films such as Happy Gilmore, Billy Madison, The Wedding Singer, Big Daddy and Punch-Drunk Love. In addition to his film career, Sandler has also released several comedy albums, which have enjoyed commercial success. He began his significant film career with Billy Madison and later with Happy Gilmore. Soon after, he continued to star in hit comedy films like The Waterboy and Little Nicky. Sandler also appeared in romantic comedies such as 50 First Dates and The Wedding Singer. Despite receiving criticism for his recent movies, Sandler has stayed relevant in todayâs entertainment industry as he continues to produce and perform in comedy films.
This work explores the many ways in which the developing film industry of the early twentieth century influenced the writings of F. Scott Fitzgerald, focusing specifically on his novels This Side of Paradise, The Great Gatsby, Tender Is the Night, and the incomplete The Last Tycoon. The Beautiful and the Damned is also discussed briefly. Early chapters examine Fitzgerald's literary adaptation of visual film techniques (pans, freeze frames, slow motion) and aural cinematic concepts (sound effects, diegetic sound) within his most popular novels. The final chapter summarizes the effect such techniques had in augmenting and defining Fitzgerald's unique literary style.
John Williams is one of the most renowned film composers in history. He has penned unforgettable scores for Star Wars, the Indiana Jones series, E.T. the Extra-Terrestrial, Jaws, Superman, and countless other films. Fans flock to his many concerts, and with forty-nine Academy Award nominations as of 2014, he is the second-most Oscar-nominated person after Walt Disney. Yet despite such critical acclaim and prestige, this is the first book in English on Williams’s work and career. Combining accessible writing with thorough scholarship, and rigorous historical accounts with insightful readings, John Williams’s Film Music explores why Williams is so important to the history of film music. Be...
Madison is a spy, or at least he’s supposed to be. He’s not inclined to spy on the people who saved his life and report to the woman who almost killed him, but he might not have a choice if he wants to save his sister. Tyrian doesn’t expect to like playing babysitter to the wolf shifter who almost died in a fire, but for some reason, he’s fascinated by Madison, especially after Madison comes clean and tells him he’s supposed to spy on the pack. Madison is caught between a rock and a hard place, which seems like the worst place to fall in love, yet here he is. Who would have thought he’d ever trust a vampire enough to fall for him? Tyrian always trusts his instincts, and they’re telling him that Madison is The One. That’s enough for him to believe it, but he knows nothing will be easy for them. The pack has too many enemies, and they’re all ready to kill.
Bringing together twenty-five years of work on what he has called the "historical poetics of cinema," David Bordwell presents an extended analysis of a key question for film studies: how are films made, in particular historical contexts, in order to achieve certain effects? For Bordwell, films are made things, existing within historical contexts, and aim to create determinate effects. Beginning with this central thesis, Bordwell works out a full understanding of how films channel and recast cultural influences for their cinematic purposes. With more than five hundred film stills, Poetics of Cinema is a must-have for any student of cinema.