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In the third and concluding part of the series, Inspector Bikram finds himself embroiled in the mysterious death of a young girl in his own residential complex. And this time he wants to sort out more than the case—he wants to put his love life in order too!
This book documents the history of Government House and Barrackpore Park along with a photographic series of its present day restoration.
This book presents a comprehensive account of the theory and practice of translation in India in combining both its functional and literary aspects. It explores how the cultural politics of globalization is played out most powerfully in the realm of popular culture, and especially the role of translation in its practical facets, ranging from the fields of literature and publishing to media and sports.
Dashing DSP Bikram Chatterjee of the West Bengal Police hates his boss, the boorish SP Toofan Kumar. And he knows his boss especially resents his affair with screen goddess Shona Chowdhury—it’s a rank thing. Bikram is keenly aware of the two distinct worlds he inhabits: the posh circles of Toofan and Shona—a world he instinctively distrusts—and the grimy world of crime with which he is familiar, even comfortable. Then Robi Bose, former darling of Calcutta’s Page 3, is found dead with bloody froth on his lips and Bikram is given the task of investigating this high-profile death in double-quick time. This, in addition to all his other duties—cultivating informers, breaking up drug-smuggling rackets on the Indo–Bangladesh border and providing security for occasionally violent football matches. And as the investigation draws him in, Bikram finds his two worlds colliding in unexpected ways. Gripping, gritty and one hundred per cent honest, F.I.R. inaugurates the DSP Bikram series—the first desi police procedural.
The dashing grey-eyed policeman, poster boy of the Calcutta Police Station, Inspector Bikram, has landed a case that refuses to solve itself out. CT correspondent The police are still fumbling with the murder of the small-time film producer, Piloo Adhikary, found dead with his two dogs on Diwali night. Assumed to be a simple crime of passion, the so-called wife being the prime suspect, the case grew murkier when her body was found floating in a pond. The clues point to a larger racket of money laundering, shady business deals and small-time illegal arms deals, the involvement of Gaur Mohan Lal, a wheeler dealer of some clout in the film industry, and Morari Koyal, the owner of a fishing trawler. Will Bikram be able to expose the murky underbelly of the city’s most affluent and influential?
A handful of Western visitors comes to the opulent Summer Palace of Bhopore to meet the outrageous Maharajah and his eccentric entourage. But before long they also meet sudden death. An imperturbable District Superintendent of Police is called in; but who will he find guilty of the murder of the Maharajah?
In these stories, Ashapurna Debi delineates the emotions of the middle classes, living life outwardly devoid of sensational events but containing within a psychological and emotional terrain almost terrifying in its complexity. Her forte is the domestic life, what she described as the four walls of the home-walls which hold a variety of unique experiences within them.
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