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Thirty years after the Argentinian invasion of the Falkland Islands, the war remains a source of continued debate and analysis for politicians, historians and military strategists. Not only did the conflict provide a fascinating example of modern expeditionary warfare, but it also brought to the fore numerous questions regarding international law, sovereignty, the inheritance of colonialism, the influence of history on national policy and the use of military force for domestic political uses. As the essays in this collection show, the numerous facets of the Falklands War remain current today and have ramifications far beyond the South Atlantic. Covering issues ranging from military strategy ...
Cover -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction -- Part I There is No Time for Despair: (Re)Working the Racial Order -- 1 The Fires of Racial Discontent Are Still Burning! Intensely! -- 2 Rage and Activism: The Promise of Black Lives Matter -- 3 Understanding Racialized Homophobic and Transphobic Violence -- Part II The Space of Trauma: Violence to the Psyche, Body, and Home -- 4 When No Place Is Safe: Violence Against Black Youth -- 5 Death by Residential Segregation and the Post-Racial Myth -- 6 Vigilant Vagrants: The Turbulent Tale of the Queer Black Man -- Part III Media Fallacies: Stereotypes and Other Obliterations of Black Realities -- 7 The Revelatory Racia...
‘Adult Reactions to Popular Music and Inter-generational Relations in Britain, 1955–1975’ challenges stereotypes concerning a post-war ‘generation gap’, exacerbated by rebellion-inducing popular music styles, by demonstrating the considerable variety which frequently characterized adult responses to the music, whilst also highlighting that the impact of the music on inter-generational relations was more complex than is often assumed. [NP] Utilizing extensive primary evidence, from first-person accounts to newspapers, television programmes, surveys and archive collections, the book adopts a thematic approach, identifying three key arenas of British society in which adult responses to popular music, and the impact of such reactions upon relations between generations, seem particularly revealing and significant. The book examines in detail the place of popular music within family life and Christian churches and their engagement with popular music, particularly within youth clubs. It also explores ‘encounters’ between the worlds of traditional Variety entertainment and popular music while providing broader perspectives on this most dynamic and turbulent of periods.
Thirty years after the Argentinian invasion of the Falkland Islands, the war remains a source of continued debate and analysis for politicians, historians and military strategists. Not only did the conflict provide a fascinating example of modern expeditionary warfare, but it also brought to the fore numerous questions regarding international law, sovereignty, the inheritance of colonialism, the influence of history on national policy and the use of military force for domestic political uses. As the essays in this collection show, the numerous facets of the Falklands War remain current today and have ramifications far beyond the South Atlantic.
Re-examining the long-held belief that the Sixties in Britain were dominated mainly by 'youth' and 'protest', the authors in the collection argue that innovation was everywhere shadowed by conservatism. A decade fascinated by itself and, especially, by the future, it also was tormented by self-doubt and accompanied by a fear of losing the past.
This volume examines how the British Conservative Party has appealed to women, the roles that women have played in the party, and the tense relationship between women’s activism on the Right and feminism. Covering the period since the early 20th century, the contributions each question assumptions about the reactionary response of the British Right, Margaret Thatcher’s party, to women’s issues and to their political aspirations. How have women been mobilized by the Conservative Party? What kind of party appeals has the British Conservative Party designed to attract women as party workers and as voters? Developing successful strategies to attract women voters since 1918, and appealing t...
The Nation and British Literature and Culture charts the emergence of Britain as a political, social and cultural construct, examining the manner in which its constituent elements were brought together through a process of amalgamation and conquest. The fashioning of the nation through literature and culture is examined, as well as counter narratives that have sought to call national orthodoxies into question. Specific topics explored include the emergence of a distinctively national literature in the early modern period; the impact of French Revolution on conceptions of Britishness; portrayals of empire in popular and literary fiction; popular music and national imagining; the marginalisation and oppression of particular communities within the nation. The volume concludes by asking what implications an extended set of contemporary crises have for the ongoing survival both of the United Kingdom, both as a political unit and as a literary and cultural point of identity.
Swansea University: Campus and Community in a Post-War World, 1945–2020 marks Swansea University’s centenary. It is a study of post- Second World War academic and social change in Britain and its universities, as well as an exploration of shifts in youth culture and the way in which higher education institutions have interacted with people and organisations in their regions. It covers a range of important themes and topics, including architectural developments, international scholars, the changing behaviours of students, protest and politics, and the multi-layered relationships that are formed between academics, young people and the wider communities of which they are a part. Unlike most institutional histories, it takes a ‘bottom-up’ approach and focuses on the thoughts, feelings and behaviours of people like students and non-academic staff who are normally sidelined in such accounts. As it does so, it utilises a large collection of oral history testimonies collected specifically for this book; and, throughout, it explores how formative, paradoxical and unexpected university life can be.
In this rigorous study, Marcus Collins reconceives the Beatles' social, cultural and political impact on sixties Britain.
The British National Daily Press and Popular Music c.1956–1975 constitutes a reappraisal of the reactions of the national daily press to forms of music popular with young people in Britain from the mid-1950s to the 1970s (including rock ‘n’ roll, skiffle, ‘beat group’ and rock music). Conventional histories of popular music in Britain frequently accuse the newspapers of generating ‘moral panic’ with regard to these musical genres and of helping to shape negative attitudes to the music within the wider society. This book questions such charges and considers whether alternative perspectives on press attitudes towards popular music may be discerned. In doing so, it also challenges the tendency to perceive evidence from newspapers straightforwardly as a mere illustration of wider social trends and considers the manner in which the post-war newspaper industry, as a sociocultural entity in its own right, responded to developments in youth culture as it faced distinctive challenges and pressures amid changing times.