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A New Nation of Goods
A New Nation of Goods highlights the significant role of provincial artisans in four crafts in the northeastern United States—chairmaking, clockmaking, portrait painting, and book publishing—to explain the shift from preindustrial society to an entirely new configuration of work, commodities, and culture.
Life Lessons
As a master of realism, Jerome Witkin illustrates in his art the moral plight of everyday lives. His most complex and critically acclaimed works—intense, often disturbing scenes of the Holocaust—have earned him a growing international audience. This second edition of Life Lessons incorporates material from the past decade, including ten of his most important and provocative paintings. It brings the viewer in intimate contact with the dense interior landscapes of both people and places. Often regarded as belonging to an artistic pantheon including the work of Lucien Freud, Manet, Ingres, Goya, and Courbet, Witkin's paintings range from moody urban landscapes and penetrating portraits to intimate figure studies and vivid, psychologically charged tableaux, frequently referencing seminal moments in history. Witkin's newer work includes·an enormous six-panel exploration of Dachau's 1945 liberation (Entering Darkness, 2001)—his culmination of a twenty-year series on the Holocaust, regarded by critics as among the most compelling of paintings made on the subject.
Masterworks of American Painting at the De Young
"Published on the occasion of the reopening of the de Young in Golden Gate Park, San Francisco, California, October 2005"--T.p. verso.
East Meets Black
East Meets Black examines the making and remaking of race and masculinity through the racialization of Asian and Black men, confronting this important white stratagem to secure class and racial privilege, wealth, and status in the post-civil rights era. Indeed, Asian and Black men in neoliberal America are cast by white supremacy as oppositional. Through this opposition in the US racial hierarchy, Chong Chon-Smith argues that Asian and Black men are positioned along binaries brain/body, diligent/lazy, nerd/criminal, culture/genetics, student/convict, and technocrat/athlete—in what he terms “racial magnetism.” Via this concept, East Meets Black traces the national conversations that opp...
Sarah McCoubrey
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New Glass Review
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