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Fundamental QSARs for Metal Ions
Fundamental QSARs for Metal Ions describes the basic and essential applications of quantitative structure–activity relationships (QSARs) for regulatory or industrial scientists who need to predict metal ion bioactivity. It includes 194 QSARs that have been used to predict metal ion toxicity and 86 QSARs that have been used to predict metal ion bioconcentration, biosorption, and binding. It is an excellent sourcebook for academic, industrial, and government scientists and policy makers, and provides a wealth of information on the biological and chemical activities of metal ions as they impact health and the environment. Fundamental QSARs for Metal Ions was designed for regulatory and regula...
Performing Modernism
This volume examines the reach of modernism in design and performance in interwar Romania. It follows the transnational trajectories of several remarkable Jewish avant-garde artists, actors, and directors based in Bucharest, the country’s capital, in the 1920s and 1930s. The first part of the book recovers the history of Bucharest’s first modern design institution and investigates its links with German design and the Bauhaus. The second half focuses on several innovative collaborations in the realm of Yiddish theatre, including the time spent in Romania by the world-renowned Vilna Troupe. Based on extensive original research, the book shows how Bucharest was connected to Berlin, Riga, and Chicago, highlighting the contribution of Jewish cultural production to avant-garde movements in Europe and beyond.
Beyond the Fascist Century
This book evaluates the current and future state of fascism studies, reflecting on the first hundred years of fascism and looking ahead to a new era in which fascism studies increasingly faces fresh questions concerning its relevance and the potential reappearance of fascism. This wide-ranging work celebrates Roger Griffin’s contributions to fascism studies – in conceptual and definitional terms, but also in advancing our understanding of fascism – which have informed related research in a number of fields and directions since the 1990s. Bringing together three ‘generations’ of fascism scholars, the book offers a combination of broad conceptual essays and contributions focusing on particular themes and facets of fascism. The book features chapters, which, although diverse in their approaches, explore Griffin’s work while also engaging critically with other schools of thought. As such, it identifies new avenues of research in fascism studies, placing Griffin’s work within the context of new and emerging voices in the field.
EUROSTUDII I
Volumul prezintă o selecție de comunicări susținute la colocviile Eurostudii ale Facultății de Litere a Universității din București, adunate de-a lungul câtorva ani și dezvoltate de regulă în cercetări mai ample. Textele acoperă o problematică diversă, reflectând, pe de o parte, aspecte ale identității și culturii europene sub raport istoric, dar și, pe de altă parte, unghiuri sensibile ale privirii contemporane, inclusiv românești. Autorii textelor sunt fie foarte tineri, pasionați încă de studiul teoretic, fie s-au încumetat deja să pătrundă în arhive pentru a descifra publicații vechi sau să își urmeze curiozitățile în terenuri antropologice inedite. Unii semnatari ai textelor publicate au deja în spate practica unei meserii, alții urmează în prezent masterate sau chiar specializări nedezvoltate în România. Coordonatele lor pe o „hartă” imaginară a cercetării se vor mai schimba, suntem siguri, dar prezența sperăm să le rămână constantă.
Mapping Impressionist Painting in Transnational Contexts
This book offers microhistories related to the transnational circulations of impressionism in the late nineteenth and early twentieth centuries. The contributors rethink the role of "French" impressionism in shaping these iterations by placing France within its global and imperialist context and arguing that impressionisms might be framed through the mobility studies’ concept of "constellations of mobility." Artists engaging with impressionism in France, as in other global contexts, relied on, responded to, appropriated, and resisted elements of form and content based on fluid and interconnected political realities and market structures. Written by scholars and curators, the chapters demand reconsideration of impressionism as a historical construct and the meanings assigned to that term. This project frames future discussion in art history, cultural studies, and global studies on the politics of appropriating impressionism.
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