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The Social Dynamics of Roman Imperial Imagery
Explores how artists and patrons at all social levels helped form and evolve the visual language of the Roman Empire.
The World We Want
In The World We Want, Peter Karoff presents a collective vision of an ideal world. By sharing his experiences and through conversations with more than forty social entrepreneurs, activists, nonprofit leaders, and philanthropists who are changing notions of 'the human condition' in Africa, Asia, Eastern Europe, Latin America, and North America, he describes how new partnerships and approaches are reducing suffering and gaining greater equity for people everywhere. These visionaries are engaged in a struggle of sorts, and that conscious engagement_'the shoulder to the wheel'_is a fundamental part of the world they want. The book weaves together multi-sector, multidiscipline strategies, but_in large part_it is about the power of human connection, reinforced by personal stories of motivation and the human capacity for caring. Without ignoring the institutional and cultural obstacles, and the courage needed to face down the dark side of human behavior, Karoff shows how citizen engagement and open source solutions could tip the scale toward a better world.
A Globalised Visual Culture?
Late Antique artefacts, and the images they carry, attest to a highly connected visual culture from ca. 300 to 800 C.E. On the one hand, the same decorative motifs and iconographies are found across various genres of visual and material culture, irrespective of social and economic differences among their users – for instance in mosaics, architectural decoration, and luxury arts (silver plate, textiles, ivories), as well as in everyday objects such as tableware, lamps, and pilgrim vessels. On the other hand, they are also spread in geographically distant regions, mingled with local elements, far beyond the traditional borders of the classical world. At the same time, foreign motifs, especia...
Pagans and Christians in Late Antique Rome
This book sheds new light on the religious and consequently social changes taking place in late antique Rome. The essays in this volume argue that the once-dominant notion of pagan-Christian religious conflict cannot fully explain the texts and artifacts, as well as the social, religious, and political realities of late antique Rome. Together, the essays demonstrate that the fourth-century city was a more fluid, vibrant, and complex place than was previously thought. Competition between diverse groups in Roman society - be it pagans with Christians, Christians with Christians, or pagans with pagans - did create tensions and hostility, but it also allowed for coexistence and reduced the likelihood of overt violent, physical conflict. Competition and coexistence, along with conflict, emerge as still central paradigms for those who seek to understand the transformations of Rome from the age of Constantine through the early fifth century.
The Advocate
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Late Antiquity in Contemporary Debate
Late Antiquity, once known only as the period of protracted decline in the ancient world (Bas-Empire), has now become a major research area. In recent years, a wide-ranging historiographic debate on Late Antiquity has also begun. Replacing Gibbon’s categories of decline and decadence with those of continuity and transformation has not only brought to the fore the concept of the Late Roman period, but has made the alleged hiatus between the Roman, Byzantine and Mediaeval ages less important, while also driving to the margins the question of the end of the Roman Empire. This has broadened the scope of research on Late Antiquity enormously and made the issue of periodization of crucial signif...
Rome and The Guidebook Tradition
To this day, no comprehensive academic study of the development of guidebooks to Rome over time has been performed. This book treats the history of guidebooks to Rome from the Middle Ages up to the early twentieth century. It is based on the results of the interdisciplinary research project Topos and Topography, led by Anna Blennow and Stefano Fogelberg Rota. From the case studies performed within the project, it becomes evident that the guidebook as a phenomenon was formed in Rome during the later Middle Ages and early Renaissance. The elements and rhetorical strategies of guidebooks over time have shown to be surprisingly uniform, with three important points of development: a turn towards ...
The Documentary Filmmaker's Intuition
This book is an introduction to the art and craft of documentary filmmaking with a focus on ethics and impact from development through distribution. Author Shannon Walsh explores point-of-view storytelling, writing for nonfiction, and the art of social change documentary. Offering an overview of the documentary filmmaking process – from idea to pitch to a final film and impact campaign – this book provides nonfiction filmmakers with the methods required to find a voice, style, and cinematic approach to documentary filmmaking. Key areas covered include definition of styles and genres of documentary film; project development and proposal writing; basic elements of documentary storytelling ...
Forbes
This business magazine covers domestic and international business topics. Special issues include Annual Report on American Industry, Forbes 500, Stock Bargains, and Special Report on Multinationals.
Emperors and Political Culture in Cassius Dio's Roman History
The Roman History of Cassius Dio provides one of the most important continuous narratives of the early Roman empire, spanning the inception of the Principate under Augustus to the turbulent years of the Severan Dynasty. It has been a major influence on how scholars have thought about Roman imperial history, from the Byzantine period down to the present day, as well as being a work of considerable literary sophistication and merit. This book, the product of an international collaborative project, brings together thirteen chapters written by scholars based in Europe, North America, and Australia. They offer new approaches to Dio's representation of Roman emperors, their courtiers, and key political constituencies such as the army and the people, as well as the literary techniques he uses to illuminate his narrative, from speeches to wonder narratives.
