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Religion in Hip Hop
Now a global and transnational phenomenon, hip hop culture continues to affect and be affected by the institutional, cultural, religious, social, economic and political landscape of American society and beyond. Over the past two decades, numerous disciplines have taken up hip hop culture for its intellectual weight and contributions to the cultural life and self-understanding of the United States. More recently, the academic study of religion has given hip hop culture closer and more critical attention, yet this conversation is often limited to discussions of hip hop and traditional understandings of religion and a methodological hyper-focus on lyrical and textual analyses. Religion in Hip H...
Method as Identity
Method as Identity: Manufacturing Distance in the Academic Study of Religion emphasizes the inexorable influence that social identities exert in shaping methodological choices within the academic study of religion, as witnessed in sui generis appeals to particularity and reliance on (or rejection of) identity-based standpoints. Can data speak back, and if so, would scholars have ears to listen? With a refreshing hip hop sensibility, Miller and Driscoll argue that what cultural theorist Jean-François Bayart refers to as a “battle for identity” forces a necessary confrontation with the (impact of) social identities (and, their histories) haunting our fields of study. These complex categor...
Speculations on Black Life
Is God a white racist? Posed by William R. Jones in his ground-breaking book of the same name, this question disrupted the theological assumptions that marked Black religious thought from early writings of the 1800s to the formation of Black theology in the 1960s. This book compiles his key and essential writings related to over three decades of critical reflection on race, religion, secularism, and oppression in the United States. Over the course of 30 years, Jones pushed questions and considerations that refined Black theology and that gave greater shape to and understanding of Black philosophers' intervention into issues of racial and structural inequality. His philosophical work, related to the grid of oppression, fosters an approach to the nature and meaning of oppression in the United States, encouraging rational interrogation of structures of injustice and thought patterns supporting those structures. Still relevant today, the straightforward style of communication used by Jones makes these essays easily accessible to a popular audience, while maintaining intellectual rigor, making the book also suitable for an academy-based audience.
Religion and Hip Hop
Religion and Hip Hop brings together the category of religion, Hip Hop cultural modalities and the demographic of youth. Bringing postmodern theory and critical approaches in the study of religion to bear on Hip Hop cultural practices, this book examines how scholars in religious and theological studies have deployed and approached religion when analyzing Hip Hop data. Using existing empirical studies on youth and religion to the cultural criticism of the Humanities, Religion and Hip Hop argues that common among existing scholarship is a thin interrogation of the category of religion. As such, Miller calls for a redescription of religion in popular cultural analysis - a challenge she further...
New Black Godz
Refiguring black culture and religion beyond conventional accounts, New Black Godz interrogates and rethinks problems and tropes within the fields of religious and Africana studies. Using the expressive culture of hip hop and critical theory to provide analytical and conceptual frameworks, Monica Miller redefines the very notion of black religion, which is recast as identity formation. New Black Godz considers the god-like status of iconic cultural figures such as Beyonce Knowles, Oprah Winfrey and Kanye West, who “know where to go” to escape the United States and its racism. In contrast, Monica Miller argues that those with “nowhere to go”, become a different sort of “god” through identity-based sacrifice: Trayvon Martin, Sandra Bland, Eric Garner and countless others, from those well-known to the not-yet known, remain the permanent black and brown underclass in America and around the world. Using textual and ethnographic studies in New York, Philadelphia, London, Paris, Germany and Switzerland, New Black Godz is a definitive contribution to ongoing debates about the complex and varied contours of African-American religious and political life in the 21st century.
The Hip Hop and Religion Reader
The first of its kind, The Hip Hop and Religion Reader brings together essays from leaders in the field, offering a single text useful for classrooms, scholars of religion and hip hop, and anyone interested in the many points of convergence between hip hop, religion, and how they are studied.
Humanism in a Non-Humanist World
This book brings together a diverse and wide-ranging group of thinkers to forge unsuspecting conversations across the humanist and non-humanist divide. How should humanism relate to a non-humanist world? What distinguishes “humanism” from the “non-humanist?” Readers will encounter a wide-range of perspectives on the terms bringing together this volume, where “Humanism” “Non-Humanist” and “World” are not taken for granted, but instead, tackled from a wide variety of perspectives, spaces, discourses, and approaches. This volume offers both a pragmatic and scholarly account of these terms and worldviews allowing for multiple points of analytical and practical points of entry into the unfolding dialogue between humanism and the non-humanist world. In this way, this volume is attentive to both theoretically and historically grounded inquiry and applied practical application.
Religion and Inequality in Africa
This volume reveals how religion interfaces with inequality in different African contexts. Some contributors undertake detailed analyses of how religion creates (and justifies) different forms of inequality that holds back individuals, groups and communities across the continent from flourishing, while others show how religion can also mitigate inequality in Africa. Topics addressed include gender inequality, economic inequality, disability, ageism and religious homophobia. Specifically focusing on the United Nation's Sustainable Development Goal 10 to reduce inequality within and among countries, this book highlights the extent to which Africa's 'notoriously religious' identity needs to be taken into account in discourses on development.
Claiming Identity in the Study of Religion
Focusing on the academic study of religion, Claiming Identity in the Study of Religion is the first in a series that grapples with the historicity of identity and the social and rhetorical techniques that make claims to identity possible. In this volume, six previously published essays by scholar of religion Russell T. McCutcheon are each coupled with a new substantive commentary by North American contributors. McCutcheon's essays highlight different identifying claims within the work of a number of leading scholars of religion. The companion contributions analyze the strategies of identification employed by the scholars whom McCutcheon discusses. Monica R. Miller provides an introduction to the volume and Steven W. Ramey provides a concluding essay. The strategies of identification highlighted and exposed in this text are further explored in the second volume in the series, The Problem of Nostalgia in the Study of Identity through a set of detailed ethnographic and historical studies that press novel ways of studying identity as an always active and ongoing process of signification.
Decolonizing Contemporary Gospel Music Through Praxis
Is contemporary Black British gospel music a coloniality? What theological message is really conveyed in these songs? In this book, Robert Beckford shows how the Black British contemporary gospel music tradition is in crisis because its songs continue to be informed by colonial Christian ideas about God. Beckford explores the failure of both African and African Caribbean heritage Churches to Decolonise their faith, especially the doctrine of God, biblical interpretation and Black ontology. This predicament has left song leaders, musicians and songwriters with a reservoir of ideas that aim to disavow engagement with the social-historical world, black Biblical interpretation and the necessity of loving blackness. This book is decolonisation through praxis. Reflecting on the conceptual social justice album 'The Jamaican Bible Remix' (2017) as a communicative resource, Beckford shows how to develop production tools to inscribe decolonial theological thought onto Black British music(s). The outcome of this process is the creation of a decolonial contemporary gospel music genre. The impact of the album is demonstrated through case studies in national and international contexts.
