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Buildings can breathe naturally, without the use of mechanical systems, if you design the spaces properly. This accessible and thorough guide shows you how in more than 260 color diagrams and photographs illustrating case studies and CFD simulations. You can achieve truly natural ventilation, by considering the building's structure, envelope, energy use, and form, as well as giving the occupants thermal comfort and healthy indoor air. By using scientific and architectural visualization tools included here, you can develop ventilation strategies without an engineering background. Handy sections that summarize the science, explain rules of thumb, and detail the latest research in thermal and fluid dynamics will keep your designs sustainable, energy efficient, and up-to-date.
40 years of science visualization The visualization of often-encrypted data reveals new, previously hidden, but quite real worlds to humankind. Art adopts these insights and uses them to create new dimensions. This book brings together a wide range of contributions on visualization in science, media, and art. Renowned experts and associates of the Science Visualization Lab at the University of Applied Arts Vienna present examples of outstanding and innovative visualization projects and provide insight into their working methods. The book follows a variety of approaches to expanding perception and rendering the invisible visible. “If the doors of perception were cleansed, every thing would appear to man as it is, infinite.” – William Blake Insight into the thinking and working methods of renowned scientists, media experts, and artists Lavish publication with numerous illustrations and AR features With contributions by Ina Conradi / Mark Chavez, Christian Köberl, Walter Köhler, Thomas Matzek, Markus Müller, Ruth Schnell, Victoria Vesna / James K. Gimzewski, Manfred Wakolbinger, and others
The Plant Contract argues that visual and performance art can help change our perception of the vegetal world, and can return us to nature and thought. Via an investigation into the wasteland, robotany, feminist plants, and nature rights, this phytology-love story investigates how contemporary art is mediating the effects of plant-blindness, caused by human disassociation from the natural world. It is also a gesture of respect for the genius of vegetal life, where new science proves plants can learn, communicate, remember, make decisions, and associate. Art is a litmus test for how climate change affects human perception. This book responds to that test by expressing plant-philosophy to a wider public, through an interrogation of plant-art.
Elemental Ecocriticism: An in-depth exploration of the intricate relationship between nature and human existence through the lenses of four visionary poets. This book delves into the macro- and micro-level injustices inflicted upon the elements of nature, as conveyed through systematically crafted narratives. Through the poetical verses of these four poets, the principles and features of the elements are showcased, highlighting their importance for human ecstasy and existence. A must-read for those seeking a deeper understanding of the complex interplay between humanity and the natural world.
Winner of the 2019 Outstanding Academic Titles award in Choice, a publishing unit of the Association of College & Research Libraries (ACRL) Why Look at Plants? proposes a thought-provoking and fascinating look into the emerging cultural politics of plant-presence in contemporary art. Through the original contributions of artists, scholars, and curators who have creatively engaged with the ultimate otherness of plants in their work, this volume maps and problematizes new intra-active, agential interconnectedness involving human-non-human biosystems central to artistic and philosophical discourses of the Anthropocene. Plant’s fixity, perceived passivity, and resilient silence have relegated the vegetal world to the cultural background of human civilization. However, the recent emergence of plants in the gallery space constitutes a wake-up-call to reappraise this relationship at a time of deep ecological and ontological crisis. Why Look at Plants? challenges readers’ pre-established notions through a diverse gathering of insights, stories, experiences, perspectives, and arguments encompassing multiple disciplines, media, and methodologies.
How do writers and artists represent the climate catastrophe so that their works stir audiences to political action or at least raise their environmental awareness without, however, appearing didactic? Storying the Ecocatastrophe attempts to answer this question while interrogating the potential of narrative to become a viable political force. The collection of essays achieves this by examining the representational strategies and ideological goals of contemporary cultural productions about climate change. These productions have been created across different genres, such as the traditional novel, dance performance, solarpunk, economic report, collage, and space opera, as well as across differ...
W niniejszej pracy autor zawarł trzy cele, mianowicie: 1) scharakteryzowanie przekrojowe pojęcia definicji tożsamości narracyjnej w wybranych typach społeczeństw, 2) opisanie i zestawienie dotychczasowej kondycji cyberprzestrzeni pod względem społecznym i technologicznym z uwzględnieniem dwóch istotnych etapów jej rozwoju (web 1.0 i web 2.0), 3) ukonstytuowanie typu człowieka (homo actualis), którego cechy umożliwią wpisanie się w dyskurs tożsamości narracyjnej społeczeństwa konsumpcyjnego ze szczególnym naciskiem na cyberprzestrzeń. Przedmiotem badań empirycznych w przytoczonych niniejszej pracy, jest zagadnienie istoty web 2.0 – sensu i sposobów uczestnictwa w nin...
Inspired by Lynn Keller’s notion of “the self-conscious Anthropocene,” the book sets out to consider poetry as a privileged space for rethinking our basic epistemological assumptions. Poetry does not have the kind of agency a direct political intervention has; in fact, as W. H. Auden famously put it, “poetry makes nothing happen.” On the other hand, poetry is crucial when it comes to awakening our individual and collective imagination. Considering the statement by Lawrence Buell that the current ecological crisis is, in the first place, a crisis of the imagination, this function of poetry comes through as particularly important.
The fast-growing field of Animal Studies is a varied and much contested domain. Engagement with animals has encouraged both collaboration and conflict between researchers within the arts, humanities, and social sciences. Animal Encounters comprises a series of meetings not only between diverse beasts, but also between distinct disciplinary methods, theoretical approaches, and ethical positions. The essays here collected come together from literary and cultural studies, sociology and anthropology, ecocriticism and art history, philosophy and feminism, science and technology studies, history and posthumanism, to study that most familiar and most foreign of creatures, ‘the animal’. These encounters between leading practitioners in the field highlight the promise and potential of interspecies exchange and mutual provocation.