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"... Consider the idea of history and the artwork's moment in time; the intersection of geography and history in regional practice, illustrated by examples from Eastern Europe, Australia, and New Zealand; the contradictory scales of evolution, life cycles, and bodily rhythms in bio art; and the history of the future--how the future has been imagined, planned for, and established as a vector throughout the history of new media arts." --book jacket.
This volume emerged from the conference "Polish Literature Since 1989" held at the University College London School of Slavonic and East European Studies. It shows how the profound political and economic transformation that has taken place in Poland since the end of communism in 1989 has affected literary culture and literary scholarship, such as: changing conceptions of Polish nationhood and identity * the impact of European integration (since 2004) * the effects of migration * revised conceptions of the foreign or the marginal, and new understandings of what is understood by emigre or emigrant literature * sensitivity to issues of gender and sexual identity, as well as the impact of feminism and queer studies * the huge impact of revived interest in the Jewish heritage, in Holocaust memory, and in Polish-Jewish relations. (Series: Polonistik im Kontext - Vol. 2)
Adaptation has always been central to Translation Studies, and, as print media becomes less and less dominant, and new media become central to communication, Adaptation is more than ever a vital area of Translation and Translation Studies. In addition, links to new digital media are examined. This is the only user-friendly textbook covering the full area of Translation, Adaptation, and Digital Media applicable to any language combination. Divided into nine chapters, it includes a wide range of texts from Brazilian culture, ensuring an ex-centric view of translation. Each chapter contains an expository section, case studies, and student activities to support learning. It emphasises the central role of Adaptation in the translation of works for the popular book market, for theatre, cinema, radio, and, especially, the new media. This is the essential textbook for students in Translation and Adaptation Studies courses and instructors and professionals working on adaptation and transmedia projects.
This collection of the best new and recent work on historical consciousness and practice in late Imperial Russia assembles the building blocks for a fundamental reconceptualization of Russian history and history writing.
This book provides a comprehensive assessment of the current legal landscape of global design law. It includes practice-based and analytical accounts of national design laws from several representative jurisdictions and delves into the practical and theoretical dimensions of some of the most urgent procedural issues facing this legal field.
The word "ventriloquism" has traditionally referred to the act of throwing one's voice into an object that appears to speak. Media Ventriloquism repurposes the term to reflect our complex vocal relationship with media technologies. The 21st century has offered an array of technological means to separate voice from body, practices which have been used for good and ill. We currently zoom about the internet, in conversations full of audio glitches, using tools that make it possible to live life at a distance. Yet at the same time, these technologies subject us to the potential for audiovisual manipulation. But this voice/body split is not new. Radio, cinema, television, video games, digital tec...
Przeszłość to enigmatyczna i zarazem plastyczna materia, którą można – jak się wielokrotnie okazywało – nieomal dowolnie kształtować, a pisząc ostrożniej – wypowiadać o niej najrozmaitsze zdania: od sensownych i wyważonych, respektujących fakty i zmierzających do ustalenia prawdy, która nigdy nie leży pośrodku, do najbardziej absurdalnych i fantastycznych. Inne są (a przynajmniej powinny być) oczekiwania wobec narracji o ambicjach naukowych, inne wobec wspomnień uczestników wydarzeń z przeszłości, jakże często traumatycznych, inne wreszcie wobec narracji artystycznych, niejednokrotnie świadomie prowokacyjnych. Warto się zatem przyjrzeć, co o współczesnych narracjach kulturowych, o przeszłości mają do powiedzenia autorzy tekstów zgromadzonych w niniejszym tomie. I warto pamiętać, że wspomniane teksty to także narracje kulturowe, to narracje o narracjach zanurzonych w przeszłości. Z recenzji prof. dra hab. Ryszarda Kantora
When the powers of Europe were at their prime, present-day Ukraine was divided between the Austrian and Russian empires, each imposing different political, social, and cultural models on its subjects. This inevitably led to great diversity in the lives of its inhabitants, shaping modern Ukraine into the multiethnic country it is today. Making innovative use of methods of social and cultural history, gender studies, literary theory, and sociology, Laboratory of Modernity explores the history of Ukraine throughout the long nineteenth century and offers a unique study of its pluralistic society, culture, and political scene. Despite being subjected to different and conflicting power models duri...
Due to computers' ability to combine different semiotic modes, texts are no longer exclusively comprised of static images and mute words. How have digital media changed the way we write and read? What methods of textual and data analysis have emerged? How do we rescue digital artifacts from obsolescence? And how can digital media be used or taught inside classrooms? These and other questions are addressed in this volume that assembles contributions by artists, writers, scholars and editors such as Dene Grigar, Sandy Baldwin, Carlos Reis, and Frieder Nake. They offer a multiperspectival view on the way digital media have changed our notion of textuality.