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This book visits the 'Thing' in its various manifestations as an unnameable monster in literature and film, reinforcing the idea that the very essence of the monster is its excess and its indeterminacy. Tied primarily to the artistic modes of the gothic, science fiction, and horror, the unnameable monster retains a persistent presence in literary forms as a reminder of the sublime object that exceeds our worst fears. Beville examines various representations of this elusive monster and argues that we must looks at the monster, rather than through it, at ourselves. As such, this book responds to the obsessive manner in which the monsters of literature and culture are ‘managed’ in processes...
From vampires and demons to ghosts and zombies, interest in monsters in literature, film, and popular culture has never been stronger. This concise Encyclopedia provides scholars and students with a comprehensive and authoritative A-Z of monsters throughout the ages. It is the first major reference book on monsters for the scholarly market. Over 200 entries written by experts in the field are accompanied by an overview introduction by the editor. Generic entries such as 'ghost' and 'vampire' are cross-listed with important specific manifestations of that monster. In addition to monsters appearing in English-language literature and film, the Encyclopedia also includes significant monsters in Spanish, French, Italian, German, Russian, Indian, Chinese, Japanese, African and Middle Eastern traditions. Alphabetically organized, the entries each feature suggestions for further reading. The Ashgate Encyclopedia of Literary and Cinematic Monsters is an invaluable resource for all students and scholars and an essential addition to library reference shelves.
Illustrated throughout with outstanding new full-colour annotated artworks, easy-to-follow accounts of the characters’ stories and factfile boxes, this book will appeal to any child interested in tales, monsters and movies.
Discover the truth about the world's most terrifying mythical creatures that have been scaring people for generations, from Beowulf's Dragon to Frankenstein. Featuring ancient legends and folklore, movie and modern monsters, this collection of more than 40 creatures will scare and entertain with stunning illustrations, maps and fascinating facts.
Far off the grid in northern Sweden, a small network of people have been tasked with hiding the last remaining trolls from the public eye, and one young woman will do whatever it takes to bring the truth to light, in this literary thriller that is "intensely riveting and constantly surprising" (Karl-Ove Knausgard).
Zombies, vampires and ghosts feature prominently in nearly all forms of entertainment in the 21st century, including popular fiction, film, comics, television and computer games. But these creatures have been vital to the entertainment industry since the best-seller books of a century and half ago. Monsters don't just invade popular culture, they help sell popular culture. This collection of new essays covers 150 years of enduringly popular Gothic monsters who have shocked and horrified audiences in literature, film and comics. The contributors unearth forgotten monsters and reconsider familiar ones, examining the audience taboos and fears they embody.
A LOUDER THAN WAR BOOK OF THE YEAR A riveting journey into the psyche of Britain through its golden age of television and film; a cross-genre feast of moving pictures, from classics to occult hidden gems, The Magic Box is the nation's visual self-portrait in technicolour detail. 'The definition of gripping. Truly, a trove of wyrd treasures.' BENJAMIN MYERS 'A lovingly researched history of British TV [that] recalls the brilliant, the bizarre and the unworldly.' GUARDIAN 'A reclamation, not just of a visual 'golden age', but of Britain as a darkly magical place.' THE SPECTATOR 'A feat of argument, description and affection.' FINANCIAL TIMES 'Young unearths the ghosts of TV past - and Britain'...
Emerging from depths comes a series of papers dealing with one of the most significant creations that reflects on and critiques human existence. Both a warning and a demonstration, the monster as myth and metaphor provides an articulation of human imagination that toys with the permissible and impermissible. Monsters from zombies to cuddly cartoon characters, emerging from sewers, from pages of literature, propaganda posters, movies and heavy metal, all are covered in this challenging, scholarly collection. This volume the third in the series presents a marvellous collection of studies on the metaphor of the monster in literature, cinema, music, culture, philosophy, history and politics. Both historical reflection and concerns of our time are addressed with clarity and written in an accessible manner providing appeal for the scholar and lay reader alike. This eclectic collection will be of interest to academics and students working in a range of disciplines, such as cultural studies, film studies, political theory, philosophy and literature studies.
"An uncanny and imaginative autobiography of otherness, it offers the fictional record of a writer in the realms of the fantastic shot through with the memories of a pair of Somali-American children growing up in the 1980s. Operating under the sign of two—texts and drawings, brother and sister, black and white, extraordinary and everyday —Monster Portraits multiplies, disintegrates, and blends, inviting the reader to find the danger in the banal, the beautiful in the grotesque. Accumulating into a breathless journey and groundbreaking study, these brief fictions and sketches claim the monster as a fragmentary vastness: not the sum but the derangement of its parts."--Amazon.com.
This engaging, readable yet impeccably scholarly investigation of monsters in Classical literature will entertain and stimulate as well as inform. It covers all the major mythical monsters mentioned by Greek and Roman authors (Medusa, Hydra, Polyphemus, the Minotaur, Sphinx, Harpies, Sirens, Cerberus, Chimaera, Centaurs, and many more) along with Classical precursors of vampires, werewolves and the living dead. Versions of these creatures that appear in later literature and film are also discussed. Mythical Monsters is original in considering monsters squarely from a literary standpoint, introducing elements of literary analysis gradually as the work progresses, and building up to quite a sophisticated approach. This will increase readers' critical appreciation and plain enjoyment of these stories, which continue to fascinate today. To facilitate browsing, each chapter can be read independently. There is a useful bibliography, and the book is enlivened by illustrations from ancient and more recent art.