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Dramatic Licence
Navigating through two languages and cultures, Ladouceur studies translation strategies in the world of theatre.
Echo
This collection of essays explores the literature of Italian immigrants in Canada and their children by focusing on the central role that themes of migration hold in their work. Addressing topics such as the oral roots of Canadian immigrant writing, the changing place of women in works of the Italian diaspora, and the persistent difficulties of translation, this work provides an international perspective on some of the most pressing questions in the study of literature today. In addition to Canadian works, the work of immigrant writers from Australia and other countries is also considered, producing nuanced observations of cultural differences and affinities.
Writing between the Lines
The essays in Writing between the Lines explore the lives of twelve of Canada’s most eminent anglophone literary translators, and delve into how these individuals have contributed to the valuable process of literary exchange between francophone and anglophone literatures in Canada. Through individual portraits, this book traces the events and life experiences that have led W.H. Blake, John Glassco, Philip Stratford, Joyce Marshall, Patricia Claxton, Doug Jones, Sheila Fischman, Ray Ellenwood, Barbara Godard, Susanne de Lotbinire-Harwood, John Van Burek, and Linda Gaboriau into the complex world of literary translation. Each essay-portrait examines why they chose to translate and what lingu...
The Anthology of Italian-Canadian Writing
The more than fifty authors represented come from across Canada and have backgrounds in all regions of Italy.
Double Lives
Writing is intellectual, solitary work, and mothering too often seen as its antithesis. Marni Jackson's The Mother Zone, published in 1992, gave many readers their first insights into the life of a mother/writer. Yet despite having writers such as Adrienne Rich, Alice Munro, Tillie Olsen and Margaret Laurence to guide and inspire them, mothers who are writers still often feel overwhelmed - even in the 21st century, a writer new to mothering may wonder if she will ever write again. In Double Lives, the first literary anthology focusing on mothering and writing, twenty-two writers, who range in reputation from seasoned professionals to noteworthy new talents, reveal the intimate challenges and private rewards of nurturing children while pursuing the passion to write. Varying widely in age, marital status, sexual orientation, culture/ethnicity, and philosophical stance, authors such as Di Brandt, Stephanie Bolster, Linda Spalding, Janice Kulyk Keefer, Sharron Proulx-Turner, Sally Ito Rachel Rose and Susan Olding, make significant and illuminating contributions to our understanding of how writer and mother co-exist.
Bloody York
Thirteen Canadian writers from the late nineteenth century to today find intrigue, mystery, and terror in the familiar streets and places of Toronto.
Borrowed Forms
A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations.
Post-Colonial Drama
Post-Colonial Drama is the first full-length study to address the ways in which performance has been instrumental in resisting the continuing effects of imperialism. It brings to bear the latest theoretical approaches from post-colonial and performance studies to a range of plays from Australia, Africa, Canada, New Zealand, the Caribbean and other former colonial regions. Some of the major topics discussed in Post-Colonial Drama include: * the interactions of post-colonial and performance theories * the post-colonial re-stagings of language and history * the specific enactments of ritual and carnival * the theatrical citations of the post-colonial body Post-Colonial Drama combines a rich intersection of theoretical approaches with close attention to a wide range of performance texts.
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Mamma Mia!
Growing up a second-generation Italian woman in Canada is not as easy as it looks. In fact, it requires the keeping of secrets, the telling of lies, the casting of curses, and the patience of a saint. Here 20 Italian-Canadian women share their stories -- some comic, some tragic, some nostalgic, all true -- about living a double life with a private/public split personality. Intimate, inspiring, brave, and confessional, these tales reveal women old enough to reminisce yet young enough to revolutionize. Balancing between the Old Country and the new, a respect for tradition and the need to break with it, this collection is a rare and surprising blend of humour and candor that promises the perfect conversation-starter. Mamma mia, what will they dare say next?
