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Dev Eternal Anand
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The Legends of Bollywood
Translated by SUCHITRA IYER Tales of madness, mischief & mayhem Before the overly dramatic movies with technologically enhanced backgrounds, simpler times existed. A compulsively readable collection of memoirs and stories of Bollywood’s who’s who, The Legends of Bollywood includes enthralling stories of the stars of the yesteryear. From Amitabh Bachchan’s first screen test to Badruddin Jamaluddin Kazi’s baptism into Johnny Walker, and from Dharmendra’s journey from a tractor driver to a legendary actor to Dimple Kapadia’s iconic comeback into the industry, this book includes everything that’s good, bad, and fabulous in Bollywood. With never-before-seen pictures, it is a sensati...
Dilip Kumar
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Romancing with Life (PB)
In "Romancing with Life," the first-ever full-fledged memoir by a leading Bollywood star, Dev Anand tells his remarkable life story like only he can. Here are tales from Dev's youth in 1930s Gurdaspur and Lahore; his years of struggle in 1940s Bombay; his friendship with Guru Dutt and his doomed romance with Suraiya; his marriage to co-star Kalpana Kartik; his relationships with his brothers Chetan and Vijay Anand, with S.D. and R.D. Burman, with his compatriots Dilip Kumar and Raj Kapoor; to both of whom he was very close, and with his heroines from Geeta Bali, Madhubala, Meena Kumari, Nutan, Vyjayanthimala, Mumtaz and Hema Malini to Waheeda Rehman, Zeenat Aman and Tina Munim, all of whom he launched. Dev Anand has produced an unputdownable book chock-full of bittersweet reminiscences, written in a pacy, effervescent style that carries the reader through sixty of Bollywood's most interesting years. With rare pictures from his personal archive, "Romancing with Life" is the quintessential Dev Anand.
Mr. and Mrs. Dutt
On the life and achievements of Sunil Dutt,1930-2005 and Nargis Dutt,1929-1981, Hindi motion picture actors.
Haunting Bollywood
Haunting Bollywood is a pioneering, interdisciplinary inquiry into the supernatural in Hindi cinema that draws from literary criticism, postcolonial studies, queer theory, history, and cultural studies. Hindi commercial cinema has been invested in the supernatural since its earliest days, but only a small segment of these films have been adequately explored in scholarly work; this book addresses this gap by focusing on some of Hindi cinema’s least explored genres. From Gothic ghost films of the 1950s to snake films of the 1970s and 1980s to today’s globally influenced zombie and vampire films, Meheli Sen delves into what the supernatural is and the varied modalities through which it rais...
Talking Films and Songs
One of the great thinkers of Indian cinema, Javed Akhtar needs no introduction. As a screenplay writer, he and Salim Khan wrote the dialogue for blockbusters like Zanjeer, Deewar, and Sholay; as a songwriter, he has composed a huge variety of songs including, ‘Yeh kahaan aa gaye hum’, ‘Kuchh na kaho’, and ‘Kal ha na ho’. Talking Films and Songs showcases both these aspects of Javed Akhtar’s versatile genius, through freewheeling conversations with Nasreen Munni Kabir. Originally published in 1999 (Talking Films) and 2005 (Talking Songs), these extremely popular books have delighted readers, researchers, and scholars of Indian film. Full of wit and wisdom, this edition is a must-read for Hindi cinema enthusiasts.
Bollywood Striptease
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Don't Disturb the Dead
Everyone knows about the Ramsays - even those who have never watched a Ramsay film. But who were they really? Where did they come from? Why did they make the films they did? And how? How, really, did they pull it off? In India, the Ramsay name remains synonymous with horror movies. Still, all these decades later.Don't Disturb the Dead is the story of their cinema, their methods and madnesses, the people and the processes, arguments and agreements, about horror cinema as a business model, and more. It is also an open-minded and affectionate ode to the 'disreputable' Ramsay films, and to a family that was once a genre in itself, one whose contribution to cinema deserves to be recognized.
My Adventures with Satyajit Ray
For those who know their Indian cinema, Shatranj Ke Khilari is film-maker Satyajit Ray's only feature film in Hindi/Urdu and also his most expensive film, employing lavish stage design and stars of both Mumbai and Western cinema. A period piece set in nineteenth-century Lucknow, capital of the state of Oudh, the film revolves around the court of the flamboyant artist-king Wajid Ali Shah against the backdrop of the East India Company's avaricious annexation of Oudh in 1856.Jindal, Ray's young and artistically committed producer of Shatranj Ke Khilari, looks back on the gripping story of how Ray came to direct the film despite his unequivocal declaration that he would never write and direct a film that was not in Bengali. Quoting extensively from Ray's fascinating unpublished letters to Jindal, it evokes the driving passion, original historical research and trademark devotion to detail that Ray brought to every aspect of the production.
