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Evelyn de Morgan
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Evelyn Pickering De Morgan and the Allegorical Body
"This study of her work confirms that the idea of progress toward the afterlife is a recurrent motif, arising from a personal involvement in the movement of Spiritualism and paralleling the automatic writing passages in The Result of an Experiment (1909), anonymously published by Evelyn and her husband William De Morgan.".
The Old Madhouse
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Pre-Raphaelite Women Artists
Barbara Leigh Smith Bodichon, Anna Mary Howitt, Rosa Brett, Anna Eliza Blunden, Jane Benham Hay, Joanna Mary Boyce, Elizabeth Eleanor Siddal, Rebecca Solomon, Emma Sandys, Julia Margaret Cameron, Lucy Madox Brown, Catherine Madox Brown, Marie Cassavetti Zambaco, Francea Alexander, Evelyn De Morgan, Kate Elizabeth Bunce, Marianne Preindelsberger Stokes, Christina Jane Herringham, Eleanor Fortescue Brickdale.
Evelyn & William De Morgan
A lively and multi-faceted account of Evelyn and William De Morgan, exploring a unique artistic partnership that spanned several cultural circles including the Pre-Raphaelites and Arts and Crafts movement With a partnership spanning two centuries, the Pre-Raphaelite painter Evelyn (1855-1919) and Arts and Crafts potter and author William De Morgan (1839-1917) influenced several significant art movements in nineteenth-century Britain. Despite this, their impact has been relatively overlooked in comparison with their better-known contemporaries. Evelyn & William De Morgan is the first major publication devoted to the work of either artist and their unique relationship. It draws out each artist...
The Old Madhouse
HERE we have 'a De Morgan,' as all competent judges would sagely affirm if this posthumous novel were a picture in a gallery. That is to say, it is quite satisfyingly just what one expects from the pen that wrote the others, from Joseph Vance to When Ghost Meets Ghost - always excepting An Affair of Dishonor, which is a thing apart, and seems almost to have been its author's notable tour de force to prove that he was not, after all, so helplessly mid-Victorian as he was said to be. The Old Madhouse is one more application of the lavish and perennially unfailing De Morgan formula. A mystery suspended through almost the whole extent of the narrative; a house with a touch of the sinister about ...
