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The Rise and Fall of the Victorian Three-Volume Novel
Utilizing recent developments in book history and digital humanities, this book offers a cultural, economic, and literary history of the Victorian three-volume novel, the prestige format for the British novel during much of the nineteenth century. With the publication of Walter Scott’s popular novels in the 1820s, the three-volume novel became the standard format for new fiction aimed at middle-class audiences through the support of circulating libraries. Following a quantitative analysis examining who wrote and published these novels, the book investigates the success of publisher Richard Bentley in producing three-volume novels, the experiences of the W. H. Smith circulating library in distributing them, the difficulties of authors such as Robert Louis Stevenson and George Moore in writing them, and the resistance of new publishers such as Arrowsmith and Unwin to publishing them. Rather than faltering, the three-volume novel stubbornly endured until its abandonment in the 1890s.
The Dublin Review
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The Spectator
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The Pen and the Cross
An illuminating study looking at an influential group of Roman Catholic novelists and writers - Chesterton, Belloc, Waugh, Greene, Spark and David Lodge among others. Students and Scholars at all levels of English Literature, of the place of Catholicism in English society and any intelligent reader interested in the relationship between religion and literature.
The Dublin Review
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Public Opinion
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Wiseman Review
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