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'Motherhood is an animal state...there is a glaze of sex over the whole collection somtimes explicit, sometimes merely the jouissance of women in each others company... Ayachi’s prosody is overall light-footed and agile.' Stephanie Sy-Quia, Poetry London
Say Something Back will allow readers to see just why the name of Denise Riley has been held in such high regard by her fellow poets for so long. The book reproduces A Part Song, a profoundly moving document of grieving and loss, and one of the most widely admired long poems of recent years. Elsewhere these poems become a space for contemplation of the natural world and of physical law, and for the deep consideration of what it is to invoke those who are absent. But finally, they extend our sense of what the act of human speech can mean - and especially what is drawn forth from us when we address our dead. Lyric, intimate, acidly witty, unflinchingly brave, Say Something Back is a deeply moving book by one of our finest poets, and one destined to introduce Riley's name to a wide new readership.
'This story is full of adventure and heart! A real page turner!' Dani Harmer 'Warm, funny, pacy, endlessly inventive and life-affirming; there are lots of young readers who will identify with Rory' Chris Beckett, Arthur C. Clarke-Award winner Eleven-year-old Rory Hobble has it tough: he gets upsetting thoughts all the time and they won't go away – 'Obsessive Compulsive Disorder (OCD)', the head doctors call it. His mum hasn't been very well for a long while either. Perhaps it's his fault... Maybe that's why she doesn't always feed him; maybe that's why she screams at him. At least Rory has his telescope – gazing at the unchanging stars keeps him calm. But, one night, Rory sees something ...
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Before there were bats like Shade, Marina or even Goth, there was a young chiropter—a small arboreal glider—named Dusk. . . . It is 65 million years ago, during a cataclysmic moment in the earth’s evolution, and Dusk, just months old, has no way of knowing he will play a pivotal role in creating a new world. What he does know is that he is different from the other newborn chiropters. Not content to use his large sails to glide down from the giant sequoia tree, Dusk discovers that if he flaps quickly enough, he can fly. But this strange gift that makes him feel like an outcast from the colony will also make him its saviour. After most of the colony is savagely massacred by the felids—...
"Josh Malerman is a master at unsettling you-and keeping you off-balance until the last page is turned."-Chuck Wendig, New York Times bestselling author of Blackbirds J is a student at a school deep in a forest far away from the rest of the world. J is one of only twenty-six students, all of whom think of the school's enigmatic founder as their father. J's peers are the only family he has ever had. The students are being trained to be prodigies of art, science, and athletics, and their life at the school is all they know-and all they are allowed to know. But J suspects that there is something out there, beyond the pines, that the founder does not want him to see, and he's beginning to ask questions. What is the real purpose of this place? Why can the students never leave? And what secrets is their father hiding from them? Meanwhile, on the other side of the forest, in a school very much like J's, a girl named K is asking the same questions. J has never seen a girl, and K has never seen a boy. As K and J work to investigate the secrets of their two strange schools, they come to discover something even more mysterious: each other.
Now streaming on Netflix and BBC iPlayer! The Breakfast Club meets Pretty Little Liars in Gretchen McNeil's sharp and thrilling sequel to Get Even. Perfect for fans of E. Lockhart, Karen M. McManus, and Maureen Johnson. The members of Don't Get Mad aren't just mad anymore . . . they're afraid. And with Margot in a coma and Bree under house arrest, it's up to Olivia and Kitty to try to catch their deadly tormentor. But just as the girls are about to go on the offensive, Ed the Head reveals a shocking secret that turns all their theories upside down. The killer could be anyone, and this time he—or she—is out for more than just revenge. The girls desperately try to discover the killer's identity as their own lives are falling apart: Donté is pulling away from Kitty and seems to be hiding a secret of his own, Bree is sequestered under the watchful eye of her mom’s bodyguard, and Olivia's mother is on an emotional downward spiral. The killer is closing in, the threats are becoming more personal, and when the police refuse to listen, the girls have no choice but to confront their anonymous “friend” . . . or die trying.
Vols. for , 1962- accompanied by a newsletter with the same title issued during the other months of the year.
This book is an authoritative work on the ecology of some of America's most iconic large mammals in a natural environment - and of the interplay between climate, landscape, and animals in the interior of the world's first and most famous national park.Central Yellowstone includes the range of one of the largest migratory populations of bison in North America as well as a unique elk herd that remains in the park year round. These populations live in a varied landscape with seasonal and often extreme patterns of climate and food abundance. The reintroduction of wolves into the park a decade ago resulted in scientific and public controversy about the effect of large predators on their prey, a d...