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Muntadas on Translation: I Giardini
Den spanske multikunstner Antonio Muntadas'(f. 1942) værker har siden 1971 omfattet videokunst, installationskunst og aktioner i det offentlige rum. Mange af hans arbejder beskæftiger sig med "de usynlige mekanismer", som samtidens mediediskurser former, og peger på sprogets og billedernes objektive og subjektive betydning
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Muntadas on translation
In a year when Spanish curators directed the Venice Biennale for the first time, Antoni Muntadas, representing Spain in the Spanish pavilion, told a reporter that the Biennale takes its ideas from international fairs. It connotes the theme park. There was exoticism, invention, the new... but by now it is an obsolete structure. Muntadas's On Translation: I Giardini, the latest in a series of often site-specific On Translation projects completed over the last 10 years, is here documented from its inception. Translation is a metaphor, as Muntadas states, I am not talking about translation in a literal sense, but in a cultural sense--how the world we live in is a totally translated world, everyt...
Muntadas
Antoni Muntadas' task consisted of intervening rather than exhibiting, of endowing the Pavilion with another dimension, of activating it in a different way. This book is the report of this intervention: the project introduces the invisibility of the archive through its olfactory presence: the archive, as well as all the documents about the project. The mediatic role of the Pavilion and knowledge of it through writings, the press and bibliography, which has reached so many people, led Muntadas to another type of olfactory proposal
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Between
Antoni Muntadas (*Barcelona, 1942) is one of the most important contemporary Spanish artists. His work addresses social, political and communications issues, the relationship between public and private space within social framework, and investigates channels of information and the ways they are used to promulgate ideas and control and censor information. Working in different media, such as photography, video, publications, Internet and multi-media installations, Muntadas often speaks about the condition of being "in between" as a point of departure for his work. This "between" can be characterized as a place of ambiguity outside specific sites or destinations. This two-volume publication is ...
Apellido Muntadas
Origen, significado y datos históricos más relevantes del apellido, así como la heráldica (escudo de armas) del linaje. Para la documentación y edición de todas nuestras láminas nos regimos por un estricto protocolo cuya finalidad es la de garantizar la veracidad y utilidad de la información. Incluye descripción y simbolismo de los principales esmaltes, metales y piezas heráldicas.
Muntadas on Translation: I Giardini
Den spanske multikunstner Antonio Muntadas'(f. 1942) værker har siden 1971 omfattet videokunst, installationskunst og aktioner i det offentlige rum. Mange af hans arbejder beskæftiger sig med "de usynlige mekanismer", som samtidens mediediskurser former, og peger på sprogets og billedernes objektive og subjektive betydning
Salt & Sugar-- No Sugar, No Salt
This volume documents an installation by Cildo Meireles and Antoni Muntadas at the Kunsthalle Marcel Duchamp. For this occasion, the artists divided the space with a transparent partition; on one side they created a pile of sugar, on the other a pile of salt. Bilingual (English/Spanish).
