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Hrant Dink (1954'2007) was the Armenian-Turkish editor-in-chief and columnist of the bilingual newspaper Agos. A journalist consistent and courageous in his efforts to speak the truth, defend justice and human rights, and promote understanding, he was a key figure in democratic dialogue in Turkey and beyond. On 19 January 2007, Hrant was assassinated by an ultra-nationalist Turk outside the Agos offices in Istanbul. This book is both a tribute to Hrant's life and a commitment to continuing his work. It contains a collection of essays and articles from 2001'07 published in www.openDemocracy.net on the topics of Turkish identity, democracy and free speech, including three articles by Hrant himself. Together, these writings offer valuable insight from into the dynamics of modern Turkey as the country grapples with political and social change, a difficult relationship with the European Union, and struggles over the truth and meanings of the past.
After landslide electoral victories, two referenda and a presidential election, thirteen years of AK Party rule have shattered many myths regarding Turkey’s politics and the nature of the party itself. This book argues that the last thirteen years are best understood via the AK party’s interaction with the social-political realm. It focuses on criticism, dissent and opposition from prominent organized groups in Turkish society, which themselves represent significantly different traditions, ideologies and interests. Bringing together specialists from across the field, its chapters explore key societal actors to reveal the dynamics behind the last decade of AK Party rule. Overall, the book throws light on the extent to which the government’s characters, trajectories, policies and leadership style have been interactively shaped by opposition and dissent. Exploring the historically unprecedented and politically controversial rule of the AK Party, as well as the relationship between modern societal groups and a government driven by a conservative Islamic tradition, this book is a valuable resource for students and scholars of Turkish studies, as well as politics more generally.
Within translation studies books on translating conceptually dense texts, such as philosophical or theoretical writings, are remarkably few. Although the translation of literature has been a favourite topic for many decades, the translation of theories on literature has been neglected. The phrase ‘theories of translation’ is everywhere, but ‘translation of theories’ is a rare sight. On the other hand, the term ‘translation’ has become a commonplace in literary and cultural studies – yet usually as a rhetorical figure describing the fate of those who struggle between two worlds and two languages, such as migrants or women. Not much attention has been paid to the role of ‘trans...
The Turkish government under the Erdoğan regime is undertaking a brutal crackdown against the participants of a civic group, namely the Gülen movement, also known as the Hizmet (service) movement, with the deliberate intention of destroying this social group, in whole or in part. In this extensive research, Dr. Keneş argues that this crackdown is filled with violations that may be classified at the very least as crimes against humanity and could very well be the harbinger of what comes next in terms of a full-scale genocide to exterminate thousands of innocent people. Keneş exemplifies many of these crimes and scales them against the genocide criteria according to definitions and norms accepted by United Nations and field experts. Given that the international community has historically downplayed the early signs of genocidal acts and thus failed to prevent such crimes many times before, it is necessary to be on the alert before the Erdoğan regime goes that far. A Genocide in the Making? is a unique volume that loudly cries out to the world this highly probable risk before it is too late.
This is the first time the continuity of Ottoman culture in contemporary Turkey is discussed by a group of well-known scholars of Ottoman-Turkish history and society. This is done through a series of research essays on Ottoman culture, its organizations, its modes of thought, and its identities (and their changes). Also, they point out the confused view of republican Turks towards their Ottoman past. The book should prove indispensable to any scholar or library specializing in Turkish, Ottoman, Islamic and Middle East studies.
Broken Masculinities portrays the post-dictatorial novel of the 1970s in all its complexity, and introduces the reader to a 1968-era Turkey, a period which challenges Turkey?s now reinforced Islamic image by portraying the quest for sexual liberation and critical student uprisings. G?nay-Erkol argues that the literature written after the 1970 coup in Turkey constitutes a coherent sub-genre and needs to be considered together. These novels share a common ground which is rich in images of men and women craving for power: general isolation, sexual-emotional frustration, and a traumatic sense of solitude and alienation. This book is an original and significant contribution to two major fields of study: (1) gender and sexuality with respect to formation of subjectivity through literature, and (2) modern literature and history through the study of Turkish literature. The chief concern in this book is not only literature?s response to a particular period in Turkey, but also the role of literature in bearing witness to trauma and drastic political acts of violence?and coming to terms with them. ÿ
At the heart of The Republic of Love are the voices of three musicians—queer nightclub star Zeki Müren, arabesk originator Orhan Gencebay, and pop diva Sezen Aksu—who collectively have dominated mass media in Turkey since the early 1950s. Their fame and ubiquity have made them national icons—but, Martin Stokes here contends, they do not represent the official version of Turkish identity propagated by anthems or flags; instead they evoke a much more intimate and ambivalent conception of Turkishness. Using these three singers as a lens, Stokes examines Turkey’s repressive politics and civil violence as well as its uncommonly vibrant public life in which music, art, literature, sports, and journalism have flourished. However, Stokes’s primary concern is how Müren, Gencebay, and Aksu’s music and careers can be understood in light of theories of cultural intimacy. In particular, he considers their contributions to the development of a Turkish concept of love, analyzing the ways these singers explore the private matters of intimacy, affection, and sentiment on the public stage.
In a 2001 poll, Turks ranked the United States highest when asked: "Which country is Turkey's best friend in international relations?" When the pollsters reversed the question—"Which country is Turkey's number one enemy in international relations?"—the United States came in second. How did Turkey's citizens come to hold such opposing views simultaneously? In The Limits of Westernization, Perin E. Gürel explains this unique split and its echoes in contemporary U.S.-Turkey relations. Using Turkish and English sources, Gürel maps the reaction of Turks to the rise of the United States as a world-ordering power in the twentieth century. As Turkey transitioned from an empire to a nation-stat...
This book contains 15 essays which are the result of the 7th International Conference of Utopian Studies held in Spain in 2006, either debating the subject, or suggesting alternative readings to some of the theoretical ideas raised within utopian studies.