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Learn how libraries have risen to the challenges created by the fall of Communism and the rise of information technology! How do librarians and researchers face war, social upheaval, and other challenges after the fall of Communism and the rise of digital technology? Libraries in Open Societies offers fascinating answers to this and many other questions while providing an overview of this rapidly changing arena. An international panel of authors who know the specialized concerns of libraries in Eastern Europe and the former USSR addresses topics that include the difficulty of preserving and acquiring materials, the importance of international cooperation, and the benefits and pitfalls of ele...
Serbia's national movement of the 1980s and 1990s, the author suggests, was not the product of an ancient, immutable, and aggressive Serbian national identity; nor was it an artificial creation of powerful political actors looking to capitalize on its mobilizing power. Miller argues that cultural processes are too often ignored in favor of political ones; that Serbian intellectuals did work within a historical context, but that they were not slaves to the past. His subjects are Dobrica Ćosić (a novelist), Mića Popović (a painter) and Borislav Mihajlović Mihiz (a literary critic). These three influential Serbian intellectuals concluded by the late 1960s that communism had failed the Serbian people; together, they helped forge a new Serbian identity that fused older cultural imagery with modern conditions.
This history of the generation of Polish literati born at the end of the 19th century tells of the young avant-gardists of the early 1920's who become the radical Marxists of the late 1920's. It traces the journey through futurist manifestos, Nazi genocide and Stalinist terror from literary cafes to prison cells.
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Why do images of entertainers abound in European literature and art since Romanticism? From Baudelaire to Picasso, from Daumier to Fellini, mimes, clowns, aerialists, and jesters recur in major works by continental artists. In Art as Spectacle, Naomi Ritter investigates this phenomenon and offers explanations that transcend the array of works discussed. Her analysis implies much about the triangle of creator, work, and audience that inevitably controls art. Although a broadly comparative study underlies Art as Spectacle, the book focuses mainly on examples from Germany and France. Three areas of argument-identification, primitivism, and transcendence-account for the performer's ubiquity in t...
At the height of its operation in the second half of the nineteenth century, the central foundling home in Moscow was receiving 17,000 children each year. The home dispatched most to wet nurses and foster care in the countryside, where at any one time it supervised over 40,000 children in Moscow province and six adjoining provinces. Established by Empress Catherine II in the middle of the eighteenth century, the two central foundling homes (the other was in St. Petersburg) were intended to deal humanely with the growing problems of abandonment and infanticide and to serve as social laboratories for educating artisans and craftspeople. David Ransel explores the creation and management of thes...
Get access to the Slavic and East European research materials you need A Guide to Slavic Collections in the United States and Canada presents up-to-date information on 85 North American libraries that house Slavic and East European research materials, providing current details on recent acquisitions, developments in collection policies, and changes in contact information. Using individual entries written by each institution’s librarian or archivist, you’ll save valuable time and effort in your search for resources on Russia and the rest of the former Soviet Union, Poland, the Czech and Slovak Republics, the former Yugoslavia, the Baltic countries, Bulgaria, Albania, Hungary, Romania, and...