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THE STORY: As described by the New York Times: When the play begins there is Harry Berlin, looking like a shaved, mustachioed beatnik who has sunk so low that honest beatniks would disown him. He has no future except to jump off the bridge and is about t
THE STORIES: THE TYPISTS. When Paul Cunningham reports for work addressing postcards for a mail-order house, he makes it clear to his fellow worker, Sylvia Payton, that his employment is strictly temporary. Paul, a married man, is studying law at n
THE STORIES: In the first play, THE PUSHCART PEDDLERS, the greenhorn, Shimmel, fresh from the old country, meets the older, wiser Cornelius and is inveigled into buying his pushcart business. Complications arise when Cornelius returns with another
Eli Wallach and Anne Jackson starred on Broadway in these hysterically funny one acts. A Need for Brussel Sprouts finds a middle aged actor hoping to land a TV commercial for pizza by playing opera full blast in his apartment while pretending to be the tenor. Enter the irate lady cop who lives upstairs and intends to give him a summons for disturbing the peace. They are both lonely and one thing leads to another. In A Need for Less Expertise, a couple whose marriage is on the rocks after 26 years have procured a self help audio tape designed to improve their spiritual awareness, their health and their sex life as a last ditch effort to save their marriage.
THE STORY: As described by The New York Post : The play is about a starving young painter living in a Greenwich Village loft...He is immediately established as mildly freaky: beer chilling on top of an ice cube, a mat of hair pasted on his che
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This book is an examination of sample companies that produce theatre with and for prison inmates. It is a careful compilation of comprehensive case studies of three such producing companies. Based on personal interviews, newspaper reviews and articles, and other testimonials from participants, each case study catalogs the working processes of the given company, the conditions they faced working in the prison environment, and how the theatre-artists tailored their work to meet these conditions. Alongside the empirical study of the companies, the author has employed prevalent theories from criminology and penology, as well as applicable performance theory, to discuss the significance of the theatre work as a social phenomenon within the very specific culture of the prison. From these individual studies, the author draws conclusions about the potential importance and place theatre could have in the penal system. This book, a first study of its kind, is a groundbreaking and important contribution to theatre studies.
This Companion provides an original and authoritative surveyof twentieth-century American drama studies, written by some of thebest scholars and critics in the field. Balances consideration of canonical material with discussion ofworks by previously marginalized playwrights Includes studies of leading dramatists, such as TennesseeWilliams, Arthur Miller, Eugene O'Neill and Gertrude Stein Allows readers to make new links between particular plays andplaywrights Examines the movements that framed the century, such as theHarlem Renaissance, lesbian and gay drama, and the soloperformances of the 1980s and 1990s Situates American drama within larger discussions aboutAmerican ideas and culture
Meditation day books are popular spiritual or inspirational guides, but none have been written quite like this one. Drawing from over 50 years of working and creating, teaching and nurturing students in theatre, the author uses quotes from plays as a basis for rumination and the exploration of life, making this particular volume part memoir, part life philosophy, and part mini theatre history vignettes. This volume is written to be read each day, with one writing for each of 366 days of a year. With a spiritual message at the heart of the work, the book will also appeal to theatre and arts lovers. The author has many years experience in teaching the Enneagram, the Arts as a transcendent adve...
Tony Stimac’s book is a captivating exploration of America’s national musical theatres, with a particular focus on his experience with the emerging musical theatre in China. In granular detail, he chronicles his rollercoaster of successes and failures while sharing intimate details of collaborating with the preeminent musical theater artists of our time, including George Abbott’s last musical, Kander and Ebb’s reworking of The Rink and hosting the first readings of Disney’s Beauty and the Beast. Tony provides invaluable insights into the secrets of creating innovative musicals. Passionately devoted to his art form, he struggles with the artist’s dilemma of how to balance his two great loves—his art and his family.