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Past Disquiet
The International Art Exhibition for Palestine took place in Beirut in 1978 and mobilized international networks of artists in solidarity with anti-imperialist movements of the 1960s and ’70s. In that era, individual artists and artist collectives assembled collections; organized touring exhibitions, public interventions and actions; and collaborated with institutions and political movements. Their aim was to lend support and bring artistic engagement to protests against the ongoing war in Vietnam, the Pinochet dictatorship in Chile, and the apartheid regime in South Africa, and they were aligned in international solidarity for anti-colonial struggles. Past Disquiet brings together contributions from scholars, curators and writers who reflect on these marginalized histories and undertakings that took place in Baghdad, Beirut, Belgrade, Damascus, Paris, Rabat, Tokyo, and Warsaw. The book also offers translations of primary texts and recent interviews with some of the artists involved.
Harvey Quaytman
Harvey Quaytman’s paintings are distinct for their inventive, whimsical exploration of shape, meticulous attention to surface texture, and experimental application of color. While his works display a rigorous commitment to formalism, they are simultaneously invested with rich undertones of sensuality, decorativeness, and humor—expressed, too, in his playful poetic titles, such as A Street Called Straight and Kufikind. Demonstrating the arc of Quaytman’s oeuvre, from his radically curvilinear canvases of the late 1960s and 1970s, to his exploration of serialized geometric abstraction in the 1980s, and finally to his serene cruciform canvases of the 1990s, this retrospective exhibition a...
The Organic Line
A major rethinking of twentieth-century abstract art mobilized by the work of Brazilian artist Lygia Clark What would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things? In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called “the organic line.” For much of the history of art, Clark’s discovery, much like the organic line, has escaped legibility. Once recognized, however, the line has seismic repercussions for rethinking foundational concepts such as mark, limit, surface, and edge. A spatial cavity th...
Turning Points and Transformations
From the Irish Cailleach and other shape-shifters of folk legends to modern movie “transformers”; from Ovid’s Metamorphoses to the moment when Gregor Samsa woke up one morning to find himself transformed into an insect in Kafka’s novella; from conversion narratives to slave narratives, turning points and transformations have always been central to literary works and to cultural developments. In fact, with Freytag’s pyramid in mind, one could claim that all literary works focus on the trope of a transformation born of a turning point, because such moments comprise the very essence and vitality of human life and culture. But why are turning points necessarily transformational and in ...
Historia y Patrimonio Cultural
El Comité Organizador del 56º Congreso Internacional de Americanistas (ICA) publica las actas del encuentro celebrado en la Universidad de Salamanca el 15 al 20 de julio de 2018. Bajo el lema «Universalidad y particularismo en las Américas», reflexionó sobre la dialéctica entre la universalidad y los particularismos en la producción de conocimiento, un diálogo en el que la necesidad de conocer los particularismos de los fenómenos sociales, políticos, artísticos y culturales obliga a formular nuevas hipótesis que enriquecen y replantean las grandes teorías generales de las ciencias y las humanidades. El carácter interdisciplinario e inclusivo que ha caracterizado al ICA desde s...
The Cult of Seizure
The Cult of Seizure is a work of lyrical mesmerism and animal magnetism from acclaimed novelist and artist Rikki Ducornet, which displays a lush poesis and visionary soul. Jane Urquhart describes it as a "combination of the bestial and the bestiary; of terror and of tenderness." Although an earlier work it contains all the evocative tapestries of her finest novels.
Mirada de barrio
Con un acento en el arte, esta publicación recoge las experiencias participativas exploradas en Mirada de Barrio, un proyecto de investigación-acción iniciado por el área de Programas Públicos del Museo de la Solidaridad Salvador Allende (MSSA), junto a vecinas y vecinos del Barrio República en Santiago de Chile. Desde la reflexión y las prácticas artísticas, se comparten los procesos de diseño y creación colectiva, los lazos comunitarios y las acciones para poder imaginar y transformar el territorio. Combinando la teoría y la práctica, los pensamientos y el hacer en conjunto, este libro provee conexiones para conocer los procesos de Mirada de Barrio, con ejercicios, metodologías y herramientas para ser activadas en futuras experiencias, autogestionadas o al alero de una institución.
Chile
This guide to Chile refreshingly focuses on the country's natural history and culture. It encompasses every aspect of this geographically diverse country, from the immense deserts and peaks in the north, via the fertile central valleys, to the dense rainforests and glaciers of the south. There is opportunity to discover the culture of Chile, including mummies from the 5th century BC found in the Atacama Desert and Inca ruins. Travellers can hike the Andes, savour fine and affordable wine, and venture off shore to sail and kayak. This guide details every aspect of travel, from accommodation and eating out to national parks and sailing, in this most easy of Latin American countries for independent travellers.
Fray
In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists...
