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This brochure includes descriptions of the permanently displayed paintings in each room of the Rembrandt House Museum. Useful as a guide book in the museum. Few illustratons.
Gustav Klimt's art thoroughly expresses the apocalyptic atmosphere of Vienna's upper middle-class society - a society devoted to the cultivation of aesthetic awareness and the cult of pleasure. The ecstatic joy which Klimt and his contemporaries found - or hoped to find - in beauty was constantly overshadowed by death. And death therefore plays an important role in Klimt's art. Klimt's fame, however, rests on his reputation as one of the greatest erotic painters and graphic artists of his times. In particular, his drawings, which have been widely admired for their artistic excellence, are dominated by the erotic portrayal of women. Klimt saw the world "in female form". [site accessed 23/07/2012 - http://www.amazon.com/Gustav-Klimt-1862-1918-Basic-Art/dp/382285980X].
E Pluribus Venom collects a large body of work produced by Shepard Fairey and presented at the Jonathan Levine Gallery during his massive exhibition in the summer of 2007. The title, which translates Out of many, poison is derived from E Pluribus Unum (out of many, one) an early motto adopted by the U.S. Government which appears on U.S. currency. The artists thesis is that many becoming one, or a loss of power and influence of the individual in favor of homogeny is a symptom of a society in decline. The book is comprised of artworks designed to question the symbols and methods of the American machine and American dream and also celebrate those who oppose blind nationalism and war. Some of Faireys works use currency motifs or a Norman Rockwell aesthetic to employ the graphic language of the subjects they critique. Other works use a blend of Art Nouveau, hippie, and revolutionary propaganda styles to celebrate subjects advocating peace.
This title focuses exclusively on the unique talents of iconoclastic artist-writer Wyndham Lewis (1882-1957) as a portraitist.
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Fontana deftly manoeuvres between the high art and street art worlds. Amalgamate draws from hisroots growing up on Bainbridge Island outside of Seattle and integrates his rough-edged woodwork, sculptural explorations, influential colour palette and dynamic use of space in order to explore the dynamic imagery surrounding the divine symbolism of religious myths, worldly folklore and current social dynamics.
Includes essay "Inbetweeners: the recent art of Thomas Campbell" by Joseph Allen Shea.