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New Glass Architecture
A timely look at the ways in which glass is utilized in some of today's most beautiful and experimental building designs For centuries, glass has provoked fascination with its properties as a versatile material that permits light to enter buildings in spectacular ways. Much of modern architecture has been conceived by using glass to create increasingly minimal structures, to promote the notion of lightweight construction solutions, and to allow maximum daylight into buildings. New Glass Architecture showcases the changing ways that aesthetics and methods for using glass have been developing since the 1990s. The book begins with an introduction that traces the history of key moments in glass ...
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Ethnic Identity and Imperial Power
"This study explores the theme of Batavian ethnicity and ethnogenesis in the context of the Early Roman empire. Its starting point is the current view in the social and historical sciences of ethnicity as a culturally determined, subjective construct that is shaped through interaction with an ethnic 'other'. The study analyses literary, epigraphic and archaeological sources relating to the Batavian image and self-image against the backdrop of Batavian integration into the Roman world. The Batavians were intensively exploited by the Roman authorities for the recruitment of auxiliary soldiers, with the result that their society developed into a full-blown military community."--Jacket.
The Limbourg Brothers
Although the Nijmegen artists Herman, Paul and Jean de Limbourg were barely thirty years old when they suddenly died in 1416, they already had a formidable career behind them. Now, almost six hundred years after their creation, the colourful and highly refined miniatures in the Belles Heures and Très Riches Heures du Duc de Berry still speak vividly to our imagination. In 2005 Museum Het Valkhof in Nijmegen presented the exhibition ‘The Limbourg Brothers. Nijmegen Masters at the French Court (1400-1416)’. This was the first time that original miniatures from four manuscripts by the Limbourg brothers were shown in the Netherlands. The exhibition formed an excellent opportunity to invite prominent scholars to share their views on the art of the Limbourg brothers during a two-day conference. This publication presents in written form the conference papers delivered by some of the leading scholars in the field. In that respect, the volume acts as an addendum to the catalogue. Contributors are Hanneke van Asperen, Gregory T. Clark, Herman Th. Colenbrander, Rob Dückers, Eberhard König, Margaret Lawson, Stephen Perkinson, Pieter Roelofs and Victor M. Schmidt.
Here's Holland
A focus on both travel and life in Holland sets the guidebook apart from other publications. ?The guidebook includes travel destinations and first-hand tips for touring well known and less familiar sites - all the practical stuff including opening times, websites and directions on how to get there. And all the resources needed about life in Holland for short and long-term visits, making the guidebook the bible for expats. ?Chapters include a calendar of yearly events and entertainment; inside information about custom and culture; characteristic Dutch crafts and products; biking and shopping opportunities; eating out; sports venues; markets; living in Holland; special activities and resources for children.
Ambitious Antiquities, Famous Forebears
This monograph studies the constructions of ‘impressive’ historical descent manufactured to create ‘national’, regional, or local antiquities in early modern Europe (1500-1700), especially the Netherlands. This was a period characterised by important political changes and therefore by an increased need for legitimation; a need which was met using historical claims. Literature, scholarship, art and architecture were pivotal media that were used to furnish evidence of the impressively old lineage of states, regions or families. These claims related not only to Classical antiquity (in the generally-known sense) but also to other periods that were regarded as periods of antiquity, such as the chivalric age. The authors of this volume analyse these intriguing early modern constructions of appropriate “antiquities” and investigate the ways in which they were applied in political, intellectual and artistic contexts in Europe, especially in the Northern Low Countries. This book is a revised and augmented translation of Oudheid als ambitie: De zoektocht naar een passend verleden, 1400–1700 (Nijmegen: Vantilt, 2017).
