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Boston Globe, Best 2018 Books for Children TD Canadian Children's Literature Award Finalist Mustafa and his family traveled a long way to reach their new home. Some nights Mustafa dreams about the country he used to live in, and he wakes up not knowing where he is. Then his mother takes him out to the balcony to see the moon — the same moon as in their old country. In the park, Mustafa sees ants and caterpillars and bees — they are the same, too. He encounters a “girl-with-a-cat,” who says something in a language that he can’t understand. He watches an old lady feeding birds and other children playing, but he is always looking in from the outside and he feels that he is invisible. ...
Mustafa Kemal was known both as a vicious dictator and the iron-willed creator of modern Turkey however little was known about him and he was viewed as an enigma by many. Originally published in 1932, Armstrong delves into Kemal’s career and personal life in great detail showing how he moved between revolutionary, soldier and politician whilst also discussing his love of women, drinking and gambling to present a clear picture of the infamous ruler. This title will be of interest to students of History and Middle-Eastern Studies.
This critical edition of Mustafa Âli’s Epic Deeds of Artists about the lives and works of calligraphers and painters offers insight into the artistic, cultural, social, and religious traditions that produced the great artists of the Ottoman and Persianate worlds.
"Mustafa Murrars stories span more than fifty year period. Jamal Assadi has translated a selection of these stories to introduce this Palestinian writer to a wider public through the English language. This volume includes serious stories with light and humorous scenes, love stories intermingled with tales of the unusual, and political stories interwoven with love scenes. This book enables Murrar to tell his own stories and the stories of his peoplestories of alienation and marginalization but also of hopes and dreams--in a new magnified voice. All readers will savor the aroma of a different culture, while scholars of Arabic literature will be given the chance to tread new fields for academic...
“A delightfully original take on…the prospects for liberal democracy in the broader Islamic Middle East.”—Matthew Kaminski, Wall Street Journal As the Arab Spring threatens to give way to authoritarianism in Egypt and reports from Afghanistan detail widespread violence against U.S. troops and women, news from the Muslim world raises the question: Is Islam incompatible with freedom? In Islam without Extremes, Turkish columnist Mustafa Akyol answers this question by revealing the little-understood roots of political Islam, which originally included both rationalist, flexible strains and more dogmatic, rigid ones. Though the rigid traditionalists won out, Akyol points to a flourishing of liberalism in the nineteenth-century Ottoman Empire and the unique “Islamo-liberal synthesis” in present-day Turkey. As he powerfully asserts, only by accepting a secular state can Islamic societies thrive. Islam without Extremes offers a desperately needed intellectual basis for the reconcilability of Islam and liberty.
In 1207 Hijri, AD 1776, a young water-diviner named Mustafa experiences a strange, mystical event. 43 years later, he divines water in the desert for what is to be his last well. In 1367 Hijri, AD 1948, in an underdeveloped state on the Persian Gulf, the naïve and oppressed ladies of the Naamlahn Royal Harem see their lives transformed by the discovery of oil within their country's borders. This monumental discovery will lead to unprecedented economic and social upheaval in Naamlah, with the Emir, Salim, determined to lead his country through the shifting sands of development and modernisation. But with political enemies within and without, and religious fanatics whispering in the shadows, Emir Salim and the ladies of his harem face an arduous struggle towards their ambitious goals.
A tale of slumbering emotions, awakened by a series of sudden events. The genre is fairytale and the use of puppets is symbolic. It's a journey into the inner volcanoes of a man.