You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
'Bad arse. Red Laal. If there did exist a Pakistani Don Corleone, then this was him.' M Y Alam's novel is a compelling tale of survival, honour and family values; it is at once a page-turning thriller and homage to his home city of Bradford. In Kilo and Red Laal, Alam has created characters beyond compare in contemporary British fiction.
Conversations with British Pakistani men inspired by the Bradford Riots in 2001.
Millgarth Police Station reverberates with the early adrenalin-rush of a case they won't close for years. A teenage boy trails the city centre bars of the eighties in thrall to his hero - a Leeds United football hooligan. A single woman finds her frustrations with men confirmed speed-dating in a city re-invented as a party capital. Bringing together fiction from some of the city's most celebrated writers, The Book of Leeds traces the unique contours that fifty years of social and economic change can impress on a city. These are stories that take place at oblique angles to the larger events in the city's history, or against wider currents that have shaped the social and cultural landscape of today's Leeds: a modern city with both problems and promise.
None
None
Intersectionality and decolonisation are prominent themes in contemporary British crime fiction. Through an in-depth critical and contextual analysis of selected contemporary British crime fiction novels from the 1990s to 2018, this distinctive book examines representations of race, class, sexuality, and gender by John Harvey, Stella Duffy, M.Y. Alam, and Dorothy Koomson. It argues that contemporary British crime fiction is a field of contestation where urgent cultural and social questions are debated and the politics of representation explored. A significant resource which will be valuable to researchers and scholars of the crime genre, as well as British literature, this book offers timely critical engagement with intersectionality and decolonisation and their representation in contemporary British crime fiction.
None
None