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Our Lady of the Prairie
Phillipa Maakestad - long-married theater professor and mother of an unstable daughter - grapples with a life turned upside down. After falling headlong into a passionate affair during a semester spent teaching in Ohio, Phillipa returns home to Iowa for her daughter Ginny's wedding
Bitch
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Osprey Island
As summer begins on Osprey Island, preparations at the Lodge -- the island’s one and only hotel — are underway for the busy season. On maintenance and housekeeping there’s Lance and Lorna Squire, Osprey locals and raging drinkers; and their irrepressible son Squee. There are college boys to wait tables and Irish girls to clean rooms. And a few unusual returnees, too: Suzy Chizek, single mom and daughter of the Lodge’s owners, who’s looking for a parentally funded vacation; and Roddy Jacobs, another former local, who has come back after a mysterious twenty-year absence. But when tragedy strikes, dark secrets explode, dividing the island community over the fate of a young boy suddenly more vulnerable to his violent father than ever. In the uniquely ephemeral atmosphere of a summer resort, Thisbe Nissen unfolds, with charecteristic warmth and charm, an ever-deepening story of lost loves and found romance, of loyalties and betrayals; and of lingering–sometimes fleeting–joy.
Newsletter
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THE INDIAN LISTENER
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.From July 3 ,1949,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produc...
Age of discrepancies
"The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among m...
