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Russia and Ukraine
Concepts of civilizational superiority and redemptive assimilation, widely held among nineteenth-century Russian intellectuals, helped to form stereotypes of Ukraine and Ukrainians in travel writings, textbooks, and historical fiction, stereotypes that have been reactivated in ensuing decades. Both Russian and Ukrainian writers have explored the politics of identity in the post-Soviet period, but while the canon of Russian imperial thought is well known, the tradition of resistance B which in the Ukrainian case can be traced as far back as the meeting of the Russian and Ukrainian polities and cultures of the seventeenth century B is much less familiar. Shkandrij demonstrates that Ukrainian literature has been marginalized in the interests of converting readers to imperial and assimilatory designs by emphasizing narratives of reunion and brotherhood and denying alterity.
Documenting the Famine of 1932–33 in Ukraine
This collection of articles breaks new ground in Holodomor scholarship, presenting archival sources that in many cases are little known or completely unexplored. The articles are organized in four sections: new explorations of archival collections; responses of Western governments to events in Ukraine in 1932-33; the international response to the Famine; and perspectives for future exploration. Researchers share their knowledge of the archives of foreign affairs ministries in countries that maintained diplomatic relations with the Soviet Union in the 1930s, including Japan and the United States. Other researchers report on the archives of immigrant and diaspora communities that emigrated fro...
Jews in Ukrainian Literature
This pioneering study is the first to show how Jews have been seen through modern Ukrainian literature. Myroslav Shkandrij uses evidence found within that literature to challenge the established view that the Ukrainian and Jewish communities were antagonistic toward one another and interacted only when compelled to do so by economic necessity.Jews in Ukrainian Literature synthesizes recent research in the West and in the Ukraine, where access to Soviet-era literature has become possible only in the recent, post-independence period. Many of the works discussed are either little-known or unknown in the West. By demonstrating how Ukrainians have imagined their historical encounters with Jews in different ways over the decades, this account also shows how the Jewish presence has contributed to the acceptance of cultural diversity within contemporary Ukraine.
Revolutionary Ukraine, 1917-2017
This book examines four dramatic periods that have shaped not only Ukrainian, but also Soviet and Russian history over the last hundred years: the revolutionary struggles of 1917-20, Stalin’s "second" revolution of 1928-33, the mobilization of revolutionary nationalists during the Second World War, and the Euromaidan protests of 2013-14. The story is told from the perspective of "insiders." It recovers the voice of Bolshevik historians who first described the 1917-21 revolution in Ukraine; citizens who were accused of nationalist conspiracies by Stalin; Galician newspapers that covered the 1933-34 famine; nationalists who fomented revolution in the 1940s; and participants in the Euromaidan...
Ukrainian Nationalism
Both celebrated and condemned, Ukrainian nationalism is one of the most controversial and vibrant topics in contemporary discussions of Eastern Europe. Perhaps today there is no more divisive and heatedly argued topic in Eastern European studies than the activities in the 1930s and 1940s of the Organization of Ukrainian Nationalists (OUN). This book examines the legacy of the OUN and is the first to consider the movement’s literature alongside its politics and ideology. It argues that nationalism’s mythmaking, best expressed in its literature, played an important role. In the interwar period seven major writers developed the narrative structures that gave nationalism much of its appeal. For the first time, the remarkable impact of their work is recognized.
Avant-Garde Art in Ukraine, 1910-1930
From pre-war years in Paris to the end of the 1920s in Kyiv, Ukrainians or artists from Ukraine produced some of the world's greatest avant-garde art and made major contributions to painting, sculpture, theatre, and film-making. This book tells their story and explores the roots of their inspiration.
In the Maelstrom
An estimated 25,000 Ukrainians served in the Fourteenth Waffen-SS “Galicia” Division. Conflicting accounts of their reasons for enlistment and continuing accusations of wartime criminality have fuelled controversial debate for decades. The first comprehensive study of the division to address both its wartime experience and its postwar fate, In the Maelstrom draws on archival research that includes interrogation records, interviews, memoirs, testimonies, and creative literature. The accounts of veterans often begin with being drafted into the force in their teenage years and continue into postwar life in Italian and British internment camps. These reminiscences are compared with wartime r...
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Depeche Mode
In 1993, tragic turbulence takes over Ukraine in the post-communist spin-off. As if in somnambulism, Soviet war veterans and upstart businessmen listen to an American preacher of whose type there were plenty at the time in the post-Soviet territory. In Kharkiv, the young communist headquarters is now an advertising agency, and a youth radio station brings Western music, with Depeche Mode in the lead, into homes of ordinary people. In the middle of this craze three friends, an anti-Semitic Jew Dogg Pavlov, an unfortunate entrepreneur Vasia the Communist and the narrator Zhadan, nineteen years of age and unemployed, seek to find their old pal Sasha Carburetor to tell him that his step-father shot himself dead. Characters confront elements of their reality, and, tainted with traumatic survival fever, embark on a sad, dramatic and a bit grotesque adventure.
