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O simbolismo do arquétipo do pavão na filosofia é de esperança, pois sua cauda aberta, cada pena, cada olho significa um leque de possibilidades no mundo, na vida. Todas as cores explodem em formas. É muito salutar prestar atenção na vida, olhando-a de vários ângulos, de muitas maneiras diferentes. Assim, podemos enxergar todas as oportunidades que estão ao redor e expandir os diversos conhecimentos que circulam na educação. A educação oferece possibilidades no olhar, na cor, na forma, na observação, no fazer, no recolher, no se abrir para aproveitar os momentos de formação, do estar junto, do partilhar e do fazer. Fazer este impregnado de esperança que balança ao vento da leveza que enfeita a beleza de ser educador(a).
Includes "Dilatory domiciles."
This book analyzes changes to campaigning and voting in the United States in 2020. The global pandemic caused by COVID-19 upended traditional campaign strategies, posed unprecedented challenges to candidates, and possessed the potential to fundamentally alter how campaigns think about running for office. At the same time, the Trump administration’s divisive handling of twin crises stemming from the pandemic and rising racial tensions loomed over congressional races as the most disruptive election cycle in living memory. The ramifications of the 2020 congressional elections for the direction of public policy in America—and perhaps for American democracy itself—cannot be overstated. The Roads to Congress 2020 examines key House and Senate campaigns, candidates, and controversies in the 2020 election to reveal what accounts for the outcomes and point the way to America’s political future.
This collection of essays is the first comprehensive volume dedicated to Kant's lectures on anthropology and their philosophical importance.
This book explores the complex and enigmatic motif of hair in the work of five contemporary women artists, Chrystl Rijkeboer, Alice Maher, Annegret Soltau, Kathy Prendergast and Ellen Gallagher, from the late 1970s to the present. It investigates why hair is such a productive and resonant site of meaning, how it is suggestive of, and responds to, serial strategies, and why it appears to be of particular significance to women who are artists. It explores the implications of hair as an embodied material, its role as a haptic metaphor of the life cycle, and what might be seen as a darker, more liminal side of hair as a site of excess and body waste, and its ability to represent trauma and ‘wounding’. It also discusses some of the divergent histories of hair as a rich marker of identity in cultural discourses of beauty, myth and femininity, and as a symbol of status and power. Informed by a range of theoretical approaches, this book draws on Julia Kristeva’s theorizations of the abject, Hélène Cixous’s notion of écriture feminine, and a Deleuzian consideration of difference.
Covers receipts and expenditures of appropriations and other funds.
Covers receipts and expenditures of appropriations and other funds.