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"Was ich nicht weiß, macht mich nicht schwarz" soll Norbert Leonard gesagt haben, einer der Fotografen, dessen Werk beispielhaft für die Zerrissenheit der "wilden 20er bis 50er" Jahre steht. Gute Schule im väterlichen Betrieb, guter Start in den Beruf. Kometenhafter Aufstieg in "DIE MODE", einer Modezeitschrift, die der Versuch der Nationalsozialisten war, eine deutsche VOGUE zu gründen. Dann: KZ und doch dort "Karriere" als Geldfälscher für die Nazis, Flucht vom Todesmarsch in den letzten Tagen des Krieges nach Palästina. Doch seine Geschichte hört hier nicht auf, im Gegenteil, er kam zurück und fotografierte für den STERN, bis ihn die Parkinsonsche Krankheit daran hinderte. Modefotografie im dritten Reich - eine Zeitgeschichte.
The fourth volume in a history of photography, this is a bibliography of books on the subject.
'Forget Me Not' explores the relationship between photography and memory and shows how ordinary people have sought to strengthen the emotional appeal of photographs, primarily by embellishing them to create strange and often beautiful hybrid objects.
From 1937 to 1944 the National Socialist regime organised a series of art exhibitions, Grosse Deutsche Kuntstausstellung, in Munich. This book traces the history of the exhibitions, characterises the artists and artworks shown and investigates how the local Munich tradition of displaying art was reinvented for national purposes.
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.
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Pountain and Robins offer a serious, systematic analysis of the attitude known in the vernacular as cool. They examine the history, psychology and importance of cool, situating it in a new cultural category.