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Gump & Co.
Take my word for it - don't never let nobody make a movie of your life's story...' Forrest Gump is back! The lovable man for all ages captured America's heart in the No.1 bestselling novel Forrest Gump and in the blockbuster film, winner of six Academy Awards® including Best Picture and Best Actor. Now he returns in the long-awaited sequel to the book hailed by Larry King as 'the funniest novel I have ever read'. A little older, and wiser in his own unique way, he is still running through the kaleidoscopic events of our times - and straight into the age of greed and instant gratification known as the 1980s. Whenever I really get stumped, I go visit Jenny's grave. She tells me she's always r...
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The Complete Spleen
In this thoroughly revised and updated second edition, a panel of distinguished clinical researchers from around the world takes stock of the wealth of new knowledge about the human spleen and applies it to the pathology and treatment of splenic diseases. This much enriched understanding encompasses the spleen's complex role in immunological defense, the recently defined function of particulate filtration by the spleen, and the structural basis for the functions of the spleen, most particularly the microvasculature around which it is organized. Among the diseases and disorders of the spleen considered in detail are splenomegaly, the consequences and management of hyper- and hyposplenism, and "dilutional anemia." Recent advances in splenic surgery are also reviewed, especially those techniques intended to preserve at least partial function while removing the greater part of the organ.
Stravinsky and the Russian Traditions, Volume Two
This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folkl...
