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Egyptian Studies III
This volume features fourteen articles on a wide range of subjects in the field of Eygptian studies, including a discussion of the various forms of sixteen different hieroglyphs. -- Metropolitan Museum of Art website.
Christian Ethics Non-violent Resistance Approach to Boko Haram
The book takes a practical look at the complexity of the nature of violence/terrorism in Nigeria, in the light of the Catholic social teaching on non-violent resistance. With the critical analyses of some policies/strategies used to address the problem of Boko Haram terrorism in Nigeria, the book explores a range of questions: Does severe punishment work effectively as deterrence against possible involvement in terrorism? Does applying “lex talionis” reduce or exacerbate recidivism? What are the right mechanisms to stop terrorism/violence in Nigeria? This book is convinced that nothing is resolved through violence, and that, violence begets violence, alluding that, responding to terror w...
Journal of the American Oriental Society
List of members in each volume.
The Vishnu Purana. A System of Hindu Mythology and Tradition Translated from the Original Sanscrit
Reprint of the original, first published in 1840.
Orchestral Song Cycles
Charles Villiers Stanford wrote two cycles of songs for baritone with orchestra and chorus, setting nautical verses by the popular poet Henry Newbolt. From its premiere at the Leeds Musical Festival in October 1904, Songs of the Sea was a great success; Songs of the Fleet followed in 1910 and was transparently modeled on it (even quoting from the earlier work). Both works became very popular among amateur choral societies. Songs of the Sea was published in full score a year after its composition; it now appears in a critical edition for the first time in the present volume, which also includes the first publication of the orchestral version of Songs of the Fleet. Both works demonstrate Stanfords mastery of orchestral technique and sureness of touch. Newbolts texts alternate between heroic and sentimental moods; Stanford responded with music that is dramatic and atmosphericindeed, with some of the most remarkable textures of his whole oeuvre.
