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RIP Nadia de Vries
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First Communion
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Dark Hour
Nadia de Vries' debut collection opens with the standard disclaimers: These poems are a work of fiction.The names, characters and incidents portrayed in it are the work of the author's imagination.Yet what arises from the author's imagination is a world of reclaimed fairy tales, a "technological sublime," the fine arts rendered into the dark arts, and girlhood engineered as a contagion, insinuating itself into the sickly heart of the patriarchy to launch its fatal attack. Dark Hour is a countdown in verse, to that moment when the author's imagination reveals itself as our new reality, and during which we learn to fine-cut poetry into pocketknives and poison. May your fears become abundant like girls. - Mia You, author of I, Too, Dislike It (1913 Press, 2016)
Know Thy Audience
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Amsterdam
Dostoyevsky Wannabe goes to Amsterdam, edited by Nadia de Vries (author of Dark Hour, also by Dostoyevsky Wannabe) this anthology features poetry and prose from Lucia Dove, SJ Fowler, Helena Grande, Dominic Jaeckle, Christodoulos Makris, and Divya Nadkarni.
Sisterhood
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Pain Intranslation
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On being ill
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The Aesthetics and Affects of Cuteness
Cuteness is one of the most culturally pervasive aesthetics of the new millennium and its rapid social proliferation suggests that the affective responses it provokes find particular purchase in a contemporary era marked by intensive media saturation and spreading economic precarity. Rejecting superficial assessments that would deem the ever-expanding plethora of cute texts trivial, The Aesthetics and Affects of Cuteness directs serious scholarly attention from a variety of academic disciplines to this ubiquitous phenomenon. The sheer plasticity of this minor aesthetic is vividly on display in this collection which draws together analyses from around the world examining cuteness’s fundamen...
Digital Corpses
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