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Transcultural Encounters amongst Women
Traditionally women have found recourse in artistic means to interrogate change and upheaval. This volume explores the experiences of women from Spain, Portugal and Latin America in the twentieth and twenty-first centuries who themselves have crossed cultural boundaries or have described this experience in their literature and film. Areas investigated in this collection of essays include the experience of the exiled or the immigrant and their personal or collective response to displacement and adaptation: the transcultural potential of cyberspace for women, how patterns and styles of the fashion industry have crossed borders, how women have crossed canonical cultural boundaries in search of identity and meaning, how global cultural influences have manifested in Hispanic and Lusophone cultural practices and production by or about women, and the challenging question of whether canine writing can be considered a branch of feminist theory. Common to most of the essays are the central issues of identity, values, conflict and interconnectedness and an analysis of the patterns that result from the transcultural encounter of these aspects.
Narratives of Difference in Globalized Cultures
This book is about how the marketing of transnational cultural commodities capitalizes on difference and its appeal for cosmopolitan consumers in our postmodern globalized world. At what price? What ethical and political conundrums does the artist/writer/reader confront when going global? This volume analyzes why difference - whether gender, sexual, racial, ethnic, or linguistic - has become such a prominent element in the contemporary cultural field, and the effects of this prevalence on the production, circulation and reception of cultural commodities in the context of globalization. At the intersection of globalization, diaspora, postcolonial and feminist studies in world literature, these essays engage critically with a wide variety of representative narratives taken from diverse cultural fields, including humanitarian fiction, multilingual poetry, painting, text-image art, performance art, film, documentary, and docu-poetry. The chapters included offer counter-readings that disrupt hegemonic representations of cultural identity within the contemporary, neoliberal and globalized landscape.
The Metropolis in Latin America, 1830-1930
This volume examines the unprecedented growth of several cities in Latin America from 1830 to 1930, observing how sociopolitical changes and upheavals created the conditions for the birth of the metropolis. In the century between 1830 and 1930, following independence from Spain and Portugal, major cities in Latin America experienced large-scale growth, with the development of a new urban bourgeois elite interested in projects of modernization and rapid industrialization. At the same time, the lower classes were eradicated from old city districts and deported to the outskirts. The Metropolis in Latin America, 1830–1930 surveys this expansion, focusing on six capital cities—Havana, Mexico ...
Arnold Belkin
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Forest of Images
This richly illustrated exploration of the sources of Frida Kahlo's inspiration in Mexico's popular arts and folk traditions draws illuminating connections between Kahlo's highly personal creations and the aesthetic traditions that infused her early years: votive paintings, nineteenth-century studio photography (including that of her father Guillermo Kahlo), Catholic iconography, revolutionary corridos and the variegated productions of anonymous craftsmen. Readers will recognize Kahlo's centered parts and moustaches in Jose Maria Estrada's portraits and in anonymous Mexican Catholic paintings. They will see her cutaway, heart-on-sleeve self-portraits, in Jose Maria Velasco's nature studies a...
The Power and Politics of Art in Postrevolutionary Mexico
Stephanie J. Smith brings Mexican politics and art together, chronicling the turbulent relations between radical artists and the postrevolutionary Mexican state. The revolution opened space for new political ideas, but by the late 1920s many government officials argued that consolidating the nation required coercive measures toward dissenters. While artists and intellectuals, some of them professed Communists, sought free expression in matters both artistic and political, Smith reveals how they simultaneously learned the fine art of negotiation with the increasingly authoritarian government in order to secure clout and financial patronage. But the government, Smith shows, also had reason to ...
2017
Futurism Studies in its canonical form has followed in the steps of Marinetti's concept of Futurisme mondial, according to which Futurism had its centre in Italy and a large number of satellites around Europe and the rest of the globe. Consequently, authors of textbook histories of Futurism focus their attention on Italy, add a chapter or two on Russia and dedicate next to no attention to developments in other parts of the world. Futurism Studies tends to sees in Marinetti's movement the font and mother of all subsequent avant-gardes and deprecates the non-European variants as mere 'derivatives'. Vol. 7 of the International Yearbook of Futurism Studies will focus on one of these regions outs...
Frida Kahlo
Product Description: The Mexican painter Frida Kahlo is one of the most famous artists of all time. However, while much has been written about Kahlo's striking self-portraits, her still-life paintings (of which 40 or so are documented) have not been subjected to such close scrutiny until now. In this groundbreaking study, noted Kahlo scholar Salomon Grimberg explores in detail and interprets all of the artist's still lifes, including some that have come to light only recently. Offering provocative new perspectives on Kahlo's creative process, and revealing how the still lifes reflected her internal reality and complement her self-portraits, this book represents an indispensable contribution to the literature on an enduringly popular artist.
Caminatas por la ciudad: historias y escrituras por las calles
Esta guía es una oportunidad para recoger fragmentos de la historia de la Ciudad de México, que son partes del subsuelo muchas veces desapercibido de sus calles, para unirlos con la propia experiencia de nuestros pasos.
