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(Asian) Dramaturgs’ Network: Sensing, Complexity, Tracing and Doing
(Asian) Dramaturgs’ Network: Sensing, Complexity, Tracing and Doing explores the histories, stories, and practices of the Asian Dramaturgs’ Network (ADN), a network of dramaturgs, performance makers, cultural producers and performance scholars in the wider Asian region that has been active since 2016. It explores two questions that have emerged through ADN dialogues and events. Are there Asian or Asia-based dramaturgies of practice and performance? And how does one write about these within contextually grounded frames, moving beyond Eurocentric paradigms? In selected essays, extracts from presentations, case studies and critical reflections, the collection explores the story of ADN, and the future of dramaturgy in and for performance in the region. It makes a strong case for rigorous and vibrant dramaturgical thinking, and is an open invitation for further dramaturgical work, opening up sustainable spaces for thinking and doing dramaturgy in the region.
Dramaturgy to Make Visible
This book argues that dramaturgy makes things visible and does so in two distinct and interrelating ways: creative processes and formal elements of performance are rendered visible and readable; and performance dramaturgy becomes an expanded practice in which performance is a locus for creating wide-ranging events and activities. This exploration defines dramaturgy as a perceptibly transforming agency in the construction, presentation and reception of contemporary performance; and it shows how contemporary performance has an intrinsic dramaturgical aspect whose proliferation of dramaturgical practices has led to a far-reaching reinvention of what contemporary theatre is. In doing so, this book deals with a careful selection of performance practices, including theatrical adaptations, new media dramaturgy, contemporary dance, installation-performance, postdramatic theatre, visionary works by auteurs, and revivals of well-known stage shows. This study will be of great interest to students and scholars in theater studies, performance studies, cultural studies, curating, and dance scholarship.
The Routledge Companion to Literature and Social Justice
The Routledge Companion to Literature and Social Justice is a comprehensive and multi- purpose collection on this important topic. With contributors working in various fields, the Companion provides in- depth analyses of both the cumulative and emergent issues, obstacles, praxes, propositions, and theories of social justice. The first section offers a historical overview of major developments and debates in the field, while the following sections look in more detail at the key traditions and show how literature and theory can be applied as analytical tools to real- world inequalities and the impact of doing so. The contributors provide reviews of major theoretical traditions, including Marxi...
The Singapore Trilogy
Patriotism: do you have it? How does one express it? Is it worth it? The Singapore Trilogy—consisting of Are You There, Singapore?, One Year Back Home and Changi—has raised questions since the seventies about nationhood that we are still asking today. Influential in steering early English-language theatre in Singapore away from its colonial roots, Robert Yeo conceived of characters that are believably local in speech, thought and behaviour, and provided a dramatic platform for the dialogue of politically sensitive issues. Yeo’s trilogy continues to link to an exciting time of sociopolitical flux in Singapore’s history, and engages by provoking us to explore the meaning of being Singaporean. This edition of these three landmark playscripts is accompanied by a new introduction from the playwright, as well as a reappraisal by Nah Dominic and Adeeb Fazah, who restaged the entire trilogy in one single condensed adaptation in March 2021.
Skill and status
A study of a ten-member rural sibling group, characterized by a high degree of specialization in traditional skills, which determines the factors regulating the achievement of status in a family setting.
No Use Pretending
The characters in these stories have been forced into conditions of life that they find unbearable, and the stories chart their often tragically misguided attempts to relieve their suffering via connections with other people or through the pursuit of addictive attachments (to opiates in one story, to sleep in another). This collection encompasses diverse genres, from ecologically informed realism to a Kafkaesque fairy tale, from fabulist “weird fiction” to an episode from The Odyssey that becomes a meditation on what distinguishes human beings from animals. These stories invite the reader to reconsider moral and ideological certainties, to take a fresh look at such issues as fracking and drone warfare. In one story, a petroleum engineer discovers that one of his wastewater wells may be causing earthquakes, and in another the pilot of an Air Force drone seeks to reconcile his conflicting roles as protector and executioner, husband and soldier. The scientist and the serviceman are both presented with problems that have no easy or obvious solutions, situations that force them to confront the messy, compromising complexity of being human.
Far Away
Noah Rothenberg spent the summer with his first love, the charming and seductive Spiro. He fell head over heels in love from what started as a clumsy crush. But that was twelve years ago. His relationships since have been spectacular failures because of how things ended with Spiro. If he has any hope of moving forward, he needs to find Spiro and get some closure … even if he has to fly halfway around the world to a tiny island in Greece to do it. Love isn’t an emotion Spiro Papadopoulos entirely trusts anymore. He’s far too pragmatic for that. His focus these days has to be on his art and caring for his ailing mother. Being with Noah again is easy and feels so right … but is it love? Spiro isn’t sure. Besides, with his entire life being tied to Greece and Noah’s to New York, love might just be a luxury neither of them can afford. Can Spiro and Noah overcome the oceans and years between them—or will their second chance at love end as badly as their first
Mirrors Tell Lies
She s a supermodel who is graceful and confident in front of a camera but when she s with a man she likes her confidence slips and she becomes a klutz as she imagines herself as that tall, skinny, sixteen-year-old with braces and zits that boys used mock. That s what she sees when she gazes in a mirror and that distorted image repeatedly defeats her she trips, stumbles, spills things, and causes mishaps that cancel any romantic chance she might have with the current object of her affection. He owns a metaphysical bookstore and suffers from a virility insecurity syndrome. This malady causes him to think of himself as a loser when he s with a girl he likes he slouches, hangs his head, averts his eyes, and mumbles because he s certain he s going to foul up with the potential girl of his dreams. He and she are friends but would like to be more than that, but neither wants to risk potential failure and the loss of their friendship. They are joined by a collection of offbeat characters that help endow the story with a hefty dose of humor.
