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Nobel Prize winner Sigrid Undset’s life at Bjerkebæk, her retreat in Lillehammer, Norway Inside the Gate offers readers a rare glimpse into Sigrid Undset’s life at her home, Bjerkebæk, now a museum and national landmark in Lillehammer, Norway. Immensely protective of her privacy, Undset filled the timbered house with books and created a writing space where she authored many of her famous works, including Kristin Lavransdatter. There she also raised her three children, tended to her beloved garden, and welcomed close friends and family members during three decades of personal joys, sorrows, and hard work. Drawing on a wealth of historical documents, Nan Bentzen Skille’s lively narrative presents an intimate portrait of Sigrid Undset’s intense emotional life and creative endeavors, with Bjerkebæk at the center of it all. Many photographs vividly illustrate the text. For readers who have long admired Undset’s literature, Inside the Gate provides new insight into the life and work of the Nobel Prize winner.
This is a history of Western culture, divided into two parts. The first concerns the aggressive championing of monotheism by Jewish people as their distinctive national culture (although they only fell into or embraced it late in their development). Jesus offended by proposing an inversion of the divine protocols and an agenda more in harmony with international political realities: the one God proposed to use the Jews to reach (and transform) the entire human race, which was the actual object of His redemptive and creative energies. With the Renaissance widening opportunities for study, travel, learning and discovery, authorities had greater difficulty justifying limitations on individuals’ freedom of expression of heterodox artistic, political, philosophical or religious positions. This book explores the difficult modern psychological adjustment of dealing with a world with diminishing centers of authority – where it often seems as if no one is in charge – while also doing justice to one’s feelings of frustration and lack of fulfillment without becoming a radical narcissist.
The fourth and final volume in the Nobel Prize–winning writer’s epic of one man’s fateful life in medieval Norway Set in thirteenth-century Norway, a land racked by political turmoil, bloody family vendettas, and rising tensions between secular powers and an ascendant church, Sigrid Undset’s spellbinding masterpiece now follows the fortunes of Olav Audunssøn to the final, dramatic chapter of his life as it unfolds in Winter, the last volume of the tetralogy. When the orphaned Olav and his foster sister Ingunn became betrothed in their youth, a chain of events was set in motion that eventually led to violence, banishment, and a family separation lasting years. The consequences fractu...
A new, definitive English translation of the celebrated story collection regarded as a landmark of Norwegian literature and culture The extraordinary folktales collected by Peter Christen Asbjørnsen and Jørgen Moe began appearing in Norway in 1841. Over the next two decades the publication of subsequent editions under the title Norske folkeeventyr made the names Asbjørnsen and Moe synonymous with Norwegian storytelling traditions. Tiina Nunnally’s vivid translation of their monumental collection is the first new English translation in more than 150 years—and the first ever to include all sixty original tales. Magic and myth inhabit these pages in figures both familiar and strange. Gia...
“I have been unfaithful to my husband.” Marta Oulie’s opening line scandalized Norwegian readers in 1907. And yet, Sigrid Undset had a gift for depicting modern women “sympathetically but with merciless truthfulness,” as the Swedish Academy noted in awarding her the Nobel Prize for Literature in 1928. At the time she was one of the youngest recipients and only the third woman so honored. It was Undset’s honest story of a young woman’s love life—“the immoral kind,” as she herself bluntly put it—that made her first novel an instant sensation in Norway. Marta Oulie, written in the form of a diary, intimately documents the inner life of a young woman disappointed and constr...
Dieser Band präsentiert die 14 Autorinnen, die bislang mit dem Nobelpreis für Literatur ausgezeichnet wurden. Dass Produktion wie Rezeption von Kunst und Literatur keine geschlechtsneutralen Tätigkeiten sind, ist keine neue Einsicht der Gender Studies. Doch der Umstand, dass diesen 14 ausgezeichneten Frauen 100 männliche Nobelpreisträger gegenüberstehen, macht deutlich, dass die Eroberung der Autorposition durch Frauen weiterhin ein schwieriger und vielschichtiger Prozess ist. So fokussiert der Band nicht nur literarische Traditionen von Frauen, sondern auch Fragen nach weiblichem Schreiben und einer erweiterten Kanonbildung. Im Mittelpunkt der Beiträge stehen exemplarische Lektüren ...
Sigrid Undset ville være forfatter, ville forelske sig lidenskabeligt, ville have en stor familie, ville sit politiske engagement og sin tro, ville brænde sit lys i begge ender. Ida Jessen er dybt fascineret af den norske forfatter. Hun vil forstå, hvordan Sigrid Undset skabte sine bøger, der førte frem til Nobelprisen i 1928, og hvordan hun prøvede at forene liv og arbejde i en virkelighed, der både indeholdt seks børn, skilsmisse, stort hushold, samfundsmæssigt engagement og skrivning om natten.
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Hva er det med "Kristin Lavransdatter" som aldri slipper taket i oss? Og hva er det som gjør at en amerikansk kulturjournalist utroper Sigrid Undset til den nye Elena Ferrante? Med denne boka introduserer Kristin B. Johansen oss til Undsets liv og forfatterskap med en egen lekenhet og letthet som vil åpne forfatterskapet for et bredt publikum. Med utgangspunkt i den unge Undsets søken etter den store kjærligheten tar boka oss inn i Undsets vidunderlige og kraftfulle verden, og leder leseren gjennom romaner og romanser, besettelser, seirer, kamper og tap. "Jeg har levd i dette landet i tusen år" er både en introduksjon, en veiviser og en kjærlighetserklæring til en forfatter og et forfatterskap.
Novelist Sigrid Undset (1882–1949) left a mark on twentieth-century literature, not only in her homeland of Norway, but across the West. Her painterly eye for the Scandinavian countryside, her uncompromising emotional realism, her concrete sense of history, her bold vision of woman and man—these won her such acclaim that she received the 1928 Nobel Prize for Literature, not long after the publication of her epic historical novel, Kristin Lavransdatter. During World War II, she loudly opposed anti-Semitism and the Nazi regime, and in the final years of her life, the Norwegian state awarded her the Grand Cross of the Order of Saint Olav—the first time this honor was given to a woman outs...