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Nancy Bentley
Nancy Bentley was bitten by a snake on the shores of Port Arthur in Tasmania. There was no medical help nearby so Nancy’s father rowed her out to the HMAS Sydney in the bay. In 1920 women were not allowed on naval vessels. In order to comply with regulations Nancy Bentley was enlisted into the Royal Australian Navy. Nancy was six years of age and the first female to be inducted into the Royal Australian Navy. The Navy looked after her for eight days before discharging her because she was 'required by her parents'. A moving and fascinating true story.
I've Got Your Nose!
Unhappy with her little button nose, a witch tries to cast a spell to change it to a long pointy one with warts.
Frantic Panoramas
Bentley offers close readings of [William Dean Howells, Henry James] and other writers such as Edith Wharton, James Weldon Johnson, Pauline Hopkins, and Gertrude Bonnin to demonstrate how leading artists took inspiration from commercial culture to create new and distinct literary forms.--From book jacket.
Mistress Nancy
Recreates the life of Nancy Randolph, who came to Morrisania as housekeeper in 1809 and shortly married the wealthy Governeur Morris.
The Cambridge Companion to Edith Wharton
The Cambridge Companion to Edith Wharton offers a series of fresh examinations of Edith Wharton's fiction written both to meet the interest of the student or general reader who encounters this major American writer for the first time and to be valuable to advanced scholars looking for new insights into her creative achievement. The essays cover Wharton's most important novels as well as some of her shorter fiction, and utilise both traditional and innovative critical techniques, applying the perspectives of literary history, feminist theory, psychology or biography, sociology or anthropology, or social history. The Introduction supplies a valuable review of the history of Wharton criticism which shows how her writing has provoked varying responses from its first publication, and how current interests have emerged from earlier ones. A detailed chronology of Wharton's life and publications and a useful bibliography are also provided.
Violence, Visual Culture, and the Black Male Body
From early photographs of disfigured slaves to contemporary representations of bullet-riddled rappers, images of wounded black men have long permeated American culture. While scholars have fittingly focused on the ever-present figure of the hypermasculine black male, little consideration has been paid to the wounded black man as a persistent cultural figure. This book considers images of wounded black men on various stages, including early photography, contemporary art, hip hop, and new media. Focusing primarily on photographic images, Jackson explores the wound as a specular moment that mediates power relations between seers and the seen. Historically, the representation of wounded black me...
Roman Holidays
Featuring essays by twelve prominent American literature scholars, Roman Holidaysexplores the tradition of American travel to Italy and makes a significant contribution to the understanding of nineteenth-century American encounters with Italian culture and, more specifically, with Rome. The increase in American travel to Italy during the nineteenth century was partly a product of improved conditions of travel. As suggested in the title, Italy served nineteenth-century writers and artists as a kind of laboratory site for encountering Others and “other” kinds of experience. No doubt Italy offered a place of holiday—a momentary escape from the familiar—but the journey to Rome, a place u...
Black Elected Officials 1990
The Joint Center for Political and Economic Studies began compiling data on the number of black elected officials in the United States in 1970. Since then the number of black elected officials has increased steadily each year. In the 1990 edition of this annual volume, black elected officials sworn into office for the 1990 term are listed by state and indexed alphabetically. There is also an overview of geographic distribution; female black elected officials; federal, state, substate regional, county, and municipal breakdowns. Blacks elected to judicial, law enforcement, and educational offices are also listed.
The Blossom Which We Are
The Blossom Which We Are traces the emergence of a distinctly modern form of human vulnerability—our intimate dependence on the fragile and time-bound cultural frameworks that we inhabit—as it manifests in the realm of the novel. Nir Evron juxtaposes seminal works from diverse national literatures to demonstrate that the trope of cultural extinction offers key insights into the emotional and ideological work performed by the realist novel. With an analysis that ranges from the works of Maria Edgeworth and Walter Scott, Edith Wharton's Age of Innocence and Joseph Roth's Radetzky March and Yaakov Shabtai's Past Continuous, and finally to the current state of the humanities, this book seeks to recover literary criticism's humanistic mission, bringing the best that has been thought and said to bear on urgent contemporary concerns.
