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A Biocultural Approach to Literary Theory and Interpretation
"A Biocultural Approach to Literary Theory and Interpretation offers a fresh and reasoned approach to literary studies that at once preserves the central importance that interpretation plays in the humanities and embraces the exciting developments of the cognitive sciences.
Knowledge, Understanding, Well-Being
Cognitive literary studies occupies a special position in debates over the purpose of higher education and the value of the humanities. Through its varied interdisciplinary commitments, cognitive literary studies offers ways to discover the processes, forms of knowledge, and ethical function of literary experience. Contributors to this issue argue that the humanities are not a trivial pursuit by theorizing and documenting the dynamic interactions of the individuals, groups, texts, and environments that cumulatively produce the forms of knowledge specific to aesthetic engagement. Hailing from psychology, communications, and literary studies, these authors represent diverse methodologies and a...
An Economist’s Lessons on Happiness
Once called the “dismal science,” economics now offers prescriptions for improving people’s happiness. In this book Richard Easterlin, the “father of happiness economics,” draws on a half-century of his own research and that conducted by fellow economists and psychologists to answer in plain language questions like: Can happiness be measured? Will more money make me happier? What about finding a partner? Getting married? Having a baby? More exercise? Does religion help? Who is happier—women or men, young or old, rich or poor? How does happiness change as we go through different stages of life? Public policy is also in the mix: Can the government increase people’s happiness? Sho...
Evolution, Literature, and Film
Jonathan Gottschall teaches English at Washington and Jefferson College. --Book Jacket.
After Poststructuralism
After Poststructuralism: Interdisciplinary and Literary Theory challenges the premises of and suggests new alternatives to the more extreme approaches in current literary theory. The essays collected here examine the trend of "theorizing" in interdisciplinary studies from the perspective of more rigorous research methodologies, with the aim of establishing the validity of interdisciplinary literary studies and broadening the field of inquiry. The collection is divided into three groups. The first examines the question of what "interdisciplinarity" has meant in literary studies in the last twenty years, the reasons for its ascension as a trend, and the inherent theoretical flaws in certain poststructuralist positions. The second explores the relationship of theory and practice, while the third group looks ahead to the rich possibilities for thinking and working in practical new directions.
Mystical Discourse in Wordsworth and Whitman
In Mystical Discourse D.J. Moores builds on the work of current transatlantic scholarship in a lucid analysis of the connections between William Wordsworth and Walt Whitman. As he demonstrates, the "transatlantic bridge" between both poets lies in their privileging of a type of mystical language he calls "cosmic" rhetoric, which served the function of ideological resistance, as it enabled them to rebel against Enlightenment modes of thinking and being. In a thorough engagement with the work of Wordsworth and Whitman, Moores shows that the cosmic rhetoric of both writers involves a subversive reorientation towards self and society, nature and God, and knowledge and religion, as well as a radical revisioning of language and poetics.
Moments of Moment
... a sudden spiritual manifestation, whether in the vulgarity of speech or of gesture or in a memorable phase in the mind itself. Thus Stephen Dedalus in James Joyce's Stephen Hero: defines the phenomenon that has ever since been known as the literary epiphany. The essays gathered in this volume comprise a wide survey of this phenomenon. With recurrent reference to its most famous creators, notably William Wordsworth, who was the first to consciously explore and delineate those momentous spots in time in his Prelude, Walter Pater, James Joyce and Virginia Woolf, this book intends to provide a broad and unbiased exploration into the various types and categories of the moment of moment that can be distinguished, ranging from William Blake, Ann Radcliffe and Charles Maturin through the nineteenth-century sonnet tradition and the naturalistic novel to modernist and postmodernist exponents such as Ezra Pound and Elizabeth Bowen, Philip larkin and Seamus Heaney, and include contributions by acclaimed experts in the field such as Martin Bidney, Robert Langbaum, Jay Losey, and Ashton Nichols.
Shakespeare and Consciousness
This book examines how early modern and recently emerging theories of consciousness and cognitive science help us to re-imagine our engagements with Shakespeare in text and performance. Papers investigate the connections between states of mind, emotion, and sensation that constitute consciousness and the conditions of reception in our past and present encounters with Shakespeare’s works. Acknowledging previous work on inwardness, self, self-consciousness, embodied self, emotions, character, and the mind-body problem, contributors consider consciousness from multiple new perspectives—as a phenomenological process, a materially determined product, a neurologically mediated reaction, or an internally synthesized identity—approaching Shakespeare’s plays and associated cultural practices in surprising and innovative ways.
Contemporary Ecocritical Methods
Ecocriticism has grown into one of the most innovative and urgent fields of the humanities, and many useful ecocritical approaches for addressing our environmental crisis have been developed, discussed, and reconsidered during the last decade. From various perspectives, ecocriticism both adopts and criticizes traditional analytical and theoretical models, resulting in an impressive methodological diversity, pushing the boundaries of the humanities. Contemporary Ecocritical Methods exemplifies this methodological variety and serves as a practical entry into the field. Fourteen chapters, written by scholars from various ecocritical sub-fields of environmental humanities, introduce a rich set of perspectives and their analytical tools.
The New Hegemony in Literary Studies
A critique reveals the logical flaws that joins--and compromises--all the major recent modes of criticism that operate udner the rubric of Theory.
