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Toulouse-Lautrec and Jane Avril
Published in conjunction with an exhibition at The Courtauld Gallery, London, June 16-September 18, 2011.
Modigliani
Amedeo Modigliani (1884-1920) produced some of the most memorable art of the early twentieth century. Born in Livorno, Italy, and working in Paris from 1906, his career was tragically short but experimentation and innovation were consistent priorities. This ambitious new monograph is the most comprehensive book on the artist published to date, covering all aspects of Modigliani's brief yet seminal career. This book brings together Modigliani's paintings, sculptures and drawings alongside comparable works by his peers, such as Jacob Epstein and Paul Cézanne, as well as Brancusi and early Picasso. It connects Modigliani with contemporary practice in the bohemian quarter of Montparnasse as well as with wider visual culture in early twentieth-century Paris. All works from the exhibition will be stunningly reproduced in full colour, making this publication one of the most comprehensive surveys of Modigliani's work ever published. This book offers an insight into the artist's life and work from different perspectives and is a vital addition to the library of experts and newcomers alike.
Elijah Pierce's America
Published in conjunction with an exhibition held at the Barnes Foundation, Philadelphia from September 27, 2020 - January 10, 2021.
Cézanne in the Barnes Foundation
A monumental volume devoted to one of the world’s largest and most spectacular collections of Cézannes. The Barnes Foundation’s holdings of works by the renowned Post-Impressionist Paul Cézanne (1839–1906)—sixty-one oils on canvas and eight works on paper—are among the most significant in the world. The Barnes Foundation was established in 1922 by scientist, entrepreneur, and educator Dr. Albert C. Barnes, a passionate supporter of European modernism. His virtually unrivaled collection, which can only be viewed at the Barnes Foundation, also includes exceptional paintings by Pierre-Auguste Renoir, Henri Matisse, Pablo Picasso, and many others. Beginning in 1912, Barnes acquired w...
Tate Introductions: Gauguin
The vivid and sensuous paintings of Paul Gauguin are among the most reproduced and recognisable in the history of art. Most books on the artist concentrate on one aspect of his story, whether it is the time he spent in Brittany, in Arles with his friend Vincent van Gogh or in the South Seas. By contrast, this concise introduction looks at his career in its entirety, reaching beyond the myths to discover one of the most fascinating and engaging artists of modern times. Written by Nancy Ireson, an acknowledged expert on French art of the period, this is the perfect place to start for anyone interested in the life and work of this extraordinary artist.
Interpreting Henri Rousseau
This carefully researched book reveals the truth behind the myths that have grown up around Rousseau, providing an ideal introduction to this most intriguing of artists.
James Ensor
"James Ensor: The Temptation of Saint Anthony was published in conjunction with an exhibition titled Temptation: The Demons of James Ensor, organized by and presented at the Art Institute of Chicago from November 23, 2014, to January 25, 2015."
Recollections of Henri Rousseau
The paintings of Henri Rousseau (1844–1910), particularly his astonishing jungle dreams, are now so popular that it is difficult to realize how they were originally greeted with ridicule and incomprehension. It was not until Rousseau was championed by the young avant-garde—Picasso, Delaunay, and Kandinsky, among others—that he came to be recognized at his true worth. One of the most significant of these early admirers was the dealer and art historian Wilhelm Uhde. It was Uhde who put on the first one-man show of Rousseau’s work, and the catalogue he wrote for the occasion is the basis of these Recollections. Much of what we know about Rousseau comes from these pages, which present a ...
The Poster
The Poster: Art, Advertising, Design, and Collecting, 1860sÐ1900s is a cultural history that situates the poster at the crossroads of art, design, advertising, and collecting. Though international in scope, the book focuses especially on France and England. Ruth E. Iskin argues that the avant-garde poster and the original art print played an important role in the development of a modernist language of art in the 1890s, as well as in the adaptation of art to an era of mass media. She moreover contends that this new form of visual communication fundamentally redefined relations between word and image: poster designers embedded words within the graphic, rather than using images to illustrate a...
We Are Made of Stories
A richly illustrated history of self-taught artists and how they changed American art Artists without formal training, who learned from family, community, and personal journeys, have long been a presence in American art. But it wasn’t until the 1980s, with the help of trailblazing advocates, that the collective force of their creative vision and bold self-definition permanently changed the mainstream art world. In We Are Made of Stories, Leslie Umberger traces the rise of self-taught artists in the twentieth century and examines how, despite wide-ranging societal, racial, and gender-based obstacles, they redefined who could be rightfully seen as an artist and revealed a much more diverse c...
