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Gender and the Archaeology of Death
Anthropologist, archaeologists, and art historians detail their approaches to studying gender in burial practices and in other mortuary contexts. They compare European and American traditions in this field, outline methods for analyzing gender in cultures of varying complexity and with different levels of documentation, and describe some of the successes of such efforts. Consideration is given to the relationships between gender, ideology, power, signification, and the interpretation of evidence. c. Book News Inc.
Reassessing the Roles of Women as 'Makers' of Medieval Art and Architecture
These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—where the most common verb is 'made' (fecit). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, fro...
From the Ground Up
A series of papers from the Proceedings of the Fifth Gender and Archaeology Conference held at the University of Wisconsin-Milwaukee, October 1998. These explore recent research in gender: gender theory, gender in archaeology and anthropology, and methodological issues.
Confronting the Borders of Medieval Art
These essays examine art on the borders of the medieval world, from China to Spain. They engage three related issues: margins, frontiers, and cross-cultural encounters. Historiographic problems and pedagogical questions weave through the essays and the editors introduction.
Viking encounters
The Viking Congresses bring together scholars of archaeology, philology, history, toponymy, numismatics and a number of other disciplines to discuss the Viking Age from a variety of viewpoints. This volume contains 44 peer-reviewed papers selected from those presented at the 18th Viking Congress held in Denmark in August 2017. The contributors take up the interdisciplinary challenge, and the papers cover a wide range of subjects, rooted in the past, but also connecting to the present.
The Oxford Handbook of the History of Archaeology
The Oxford Handbook of the History of Archaeology offers comprehensive perspectives on the origins and developments of the discipline of archaeology and the direction of future advances in the field. Written by thirty-six archaeologists and historians from all over the world, it covers a wide range of themes and debates, including biographical accounts of key figures, scientific techniques and archaeological fieldwork practices, institutional contexts, and the effects of religion, nationalism, and colonialism on the development of archaeology.
Women in Antiquity
Part One of Nelson's 'Handbook of Gender in Archaeology.'
Image and Ornament in the Early Medieval West
Scholarship often treats the post-Roman art produced in central and north-western Europe as representative of the pagan identities of the new 'Germanic' rulers of the early medieval world. In this book, Matthias Friedrich offers a critical reevaluation of the ethnic and religious categories of art that still inform our understanding of early medieval art and archaeology. He scrutinises early medieval visual culture by combining archaeological approaches with art historical methods based on contemporary theory. Friedrich examines the transformation of Roman imperial images, together with the contemporary, highly ornamented material culture that is epitomized by 'animal art.' Through a rigorous analysis of a range of objects, he demonstrates how these pathways produced an aesthetic that promoted variety (varietas), a cross-cultural concept that bridged the various ethnic and religious identities of post-Roman Europe and the Mediterranean worlds.
Sinister and Righteous
In recent years, archaeologists have begun to consider the potential for left and right positioning of elements in the material record to reveal cultural ideas about gender, identity, authority, worldviews, and belief systems. This research demonstrates the ubiquitous, but often overlooked, occurrence of material culture meaningfully arranged according to deeply entrenched left and right concepts and is the first to bring together and expand upon these cultural ideologies. Archaeological examples provide archaeologists with insight and guidance for recording, analyzing, and interpreting any left and right elements or associations present in the imagery, features, artifacts, and landscapes of their study sites.
