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Guidance for Women in Twelfth-Century Convents
Collection of letters and texts offering guidance for nuns, and including selections from Abelard's letters to Heloise. These translated letters and texts composed for younger and older women in twelfth-century convents illuminate the powerful medieval ideals of virginity and chastity. Abelard's history of women's roles in the church and his letteron women's education, both written for Heloise in her work as abbess, are seen here alongside previously untranslated letters and texts for abbesses and nuns in England and France. An interpretive essay explores the practical and spiritual engagement of women's convents with medieval commemorative and memorial practices, showing that the professional concern of women religious with death goes far beyond the stereotype of nuns as dead to the world, or enclosed in living death. VERA MORTON gained an MA in Medieval Studies at the University of Liverpool in 1994. JOCELYN WOGAN-BROWNE is Professor of English at Fordham University, NY.
Cultural Interplay in the Eighth Century
This is the first detailed study of the Trier Gospels manuscript and its implications for early book production.
Medieval Women
In this themed collection of 24 articles by literary, historical and archaeological scholars, the study of medieval women is confidently and freshly mainstream. Profiting from the development of newly flexible models of gender, literacy, the political, the social, and the domestic, the volume is non-separatist, exploratory both of new source materials and new readings of established sources, and able to consider the broadest implications for the study of medieval culture without simply re-absorbing medieval women into invisibility. Grouped under the headings of matters of reading, of conduct and place, the essays move from legal cases to actual buildings and conceptions of the household to conduct books and chronicles to romances and saints' lives to the medieval unconscious and back again, exemplifying the mature interdisciplinarity of current work on medieval women.
Secular Sacred
"Published in conjunction with an exhibition of the same title at the McMullen Museum of Art from February 19 to June 4, 2006, this volume explores multiple ways in which medieval and early modern objects communicated both sacred and secular messages to their audiences. Focusing on paintings, illuminated texts, tapestries, silks, sculptures, ceramics and metalwork, many previously unpublished, from the collections of two distinguished Boston institutions, the authors of the volume's thirteen essays take an inventive and interdisciplinary approach to the study of the subjects, functions, and receptions of works of art from the eleventh through the sixteenth century. By re-thinking scholars' traditional division of objects into secular and sacred categories and by examining the history of these classifications, the authors decode images from various perspectives, revealing how lines between the two categories blur for individual works."--BOOK JACKET.
Beyond Words
In the fall of 2016 an international scholarly conference accompanied the exhibition Beyond Words: Illuminated Manuscripts in Boston Collections. The speakers were chosen because of their expertise and because they were known to have research underway pertaining to important manuscripts in the exhibition. The aim of both exhibition and conference was to provide a broad overview of the history of patronage and book production over the course of the High and late Middle Ages, to the extent that the eclectic holdings of Boston-area institutions permitted. Most of the papers delivered at the conference have been collected as essays in this abundantly illustrated volume which, while still linked ...
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