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The official monthly record of United States foreign policy.
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It is1596 and in Mexico the Inquisition is at its most efficient. A young man trembles in his cell as he prays for salvation, torn between the Christianity he was schooled in and his ancestral faith. What heresies will the Holy Office uncover? Can he protect his mother and sisters? He is Luis de Carvajal. His forbears had fled the Inquisition in Spain to Portugal and then from there to the New World. But the lives they try to rebuild as conversos in Mexico are just as perilous, for the Inquisition is determined to root out heretics throughout its realms. Luis's quest for true faith unfolds a tense and moving narrative, as he and his family's spirit and ingenuity are tested again and again. A...
The Drama of Dictatorship uncovers the role played by rival Communist parties in the conflict that culminated in Ferdinand Marcos's declaration of martial law in 1972. Using the voluminous radical literature of the period, Joseph Scalice reveals how two parties, the PKP and the CPP, torn apart by the Sino-Soviet dispute, subordinated the explosive mass struggles of the time behind rival elite conspirators. The PKP backed Marcos and the CPP, his bourgeois opponents. The absence of an independent mass movement in defense of democracy made dictatorship possible. The Drama of Dictatorship argues that the martial law regime was not fundamentally the outcome of Marcos's personal quest to remain in power but rather a consensus of the country's ruling elite, confronted with mounting social unrest, that authoritarian forms of rule were necessary to preserve their property and privileges. The bourgeois opponents of Marcos did not defend democracy but, like Marcos, plotted against it.
Reprint of the original, first published in 1875.