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Postcolonial pop art.
This book analyses the intersections between contemporary art and environmental activism in Indonesia. Exploring how the arts have promoted ecological awareness from the late 1960s to the early 2020s, the book shows how the arts have contributed to societal change and public and political responses to environmental crises. This period covers Indonesia’s rapid urban development under the totalitarian New Order regime (1967–1998) as well as the enhanced freedom of expression, alternative development models, and environmental problems under the democratic governments since 1998. The book applies the concept of ‘artivism’ to refer to the vital role of art in activism. It seeks to identif...
The 1998 Reform has paved ways for the reconfiguration and improvement of Indonesia's institutions to support economic growth. For the last 20 years, however, indonesia is facing the challenges of uncontainable urbanization and rising inequality. During the period 2008-2015, Indonesia's economy grew by more than 4 percent annually, the highest steady rate in Southeast Asia. Indonesia is now transitioning from a lower-middle income country to an upper-middle level one. Meanwhile, Indonesia faces a number of challengesto strengthen its democratic institutions. This book brings together 12 original chapters to discuss the achievements and challenges of Indonesia's transformation after 1998. it exa mines how state institutions and civil society manage the complexities of indonesia's transformations to develop common ground upon which to reach a national consensus.
IVAA Data Catalog is a presentation of data assortment collected from various art and culture events or the relevant, which have accompanied the alteration and shift of direction of Yogyakarta as an urban space after 1998. Bearing in mind that artworks and events exist within their contexts, we believe it is necessary to always remind ourselves about the importance of contextualization and to position art and culture events as part of the language of social critique before scaling them up into a criticism towards power.
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Analyzing the confluence between coloniality and activist art, Art Activism for an Anticolonial Future argues that there is much to gain from approaching contemporary politically committed art practices from the angle of anticolonial, postcolonial, and decolonial struggles. These struggles inspired a vast yet underexplored set of ideas about art and cultural practices and did so decades before the acceptance of radical artistic practices by mainstream art institutions. Carlos Garrido Castellano argues that art activism has been confined to a limited spatial and temporal framework—that of Western culture and the modernist avant-garde. Assumptions about the individual creator and the belated...
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Gelaran Almanak Senirupa Jogja 1999-2009 ini bukan sekadar ”Almanak”, melainkan ”Almanak +” lantaran menggabungkan banyak sekali model: Ensiklopedia, Kamus, Kronik, Who’s Who, Katalog, maupun Yellow Pages (Nama | Alamat). Ini adalah semacam ”buku pintar” seni rupa yang bisa dipegang oleh seluruh komponen yang berkepentingan dengan dunia seni rupa, terutama di Yogyakarta selama sepuluh tahun terakhir. Sebuah kota yang secara statistik, memiliki puluhan ribu seniman dengan aktivitas seni yang kaya. Karena itu kota ini kerap disebut sebagai produsen seni yang paling fantastik di Asia atau ”Makkah”nya seni rupa Asia. Buku ini diikat oleh empat kategori besar: nama (seniman), peristiwa (kronik), ruang (tempat/kawasan), dan komunitas (organisasi). Dari keempat ikatan itu lalu diturunkan menjadi tema-tema spesifik yang dirujuk dari perkembangan-perkembangan termutakhir dunia seni rupa selama sepuluh tahun sebagaimana yang terpetakan dalam daftar isi buku ini.