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Naoki Sakai is an important and prominent thinker in Asian and cultural studies and his work continues to make itself felt across a broad range of both national and disciplinary borders. Originally finding a home in the otherwise circumscribed field of Japan Studies, Sakai’s writings have succeeded in large part in destabilizing that home, exposing the fragility of its boundaries to an outside that threatens constantly to overwhelm it. Bringing together an expert team of contributors from North America, Europe and Russia, this volume takes the groundbreaking work of Naoki Sakai as its starting point and broadens the scope of Cultural Studies to bridge across philosophy and critical theory. At the same time it explicitly problematizes the putative divide between "Asian" and "Western" research objects and methodologies, and the link between culture and the nation. The Politics of Culture will appeal to upper level undergraduates and graduates in Asian studies, cultural studies, comparative literature and philosophy.
This anthology critically re-examines and re-articulates the discursive boundary that binds the region called East Asia in order to produce Trans-Pacific Studies. Recognizing that the creation of regional boundaries depends on a new configuration of both inter- and intra-national power relations and the ideological constructs that generate historical, ideological, and cultural effects, this volume proposes that the term “trans-Pacific” be mobilized to complicate the phrase “East Asian” as the boundary of academic discipline and socio-cultural discourse. The anthology also examines the historical conditions under which “East Asia” was constructed as an area and the trans-Pacific d...
In The End of Pax Americana, Naoki Sakai focuses on U.S. hegemony's long history in East Asia and the effects of its decline on contemporary conceptions of internationality. Engaging with themes of nationality in conjunction with internationality, the civilizational construction of differences between East and West, and empire and decolonization, Sakai focuses on the formation of a nationalism of hikikomori, or “reclusive withdrawal”—Japan’s increasingly inward-looking tendency since the late 1990s, named for the phenomenon of the nation’s young people sequestering themselves from public life. Sakai argues that the exhaustion of Pax Americana and the post--World War II international order—under which Taiwan, South Korea, Hong Kong, and China experienced rapid modernization through consumer capitalism and a media revolution—signals neither the “decline of the West” nor the rise of the East, but, rather a dislocation and decentering of European and North American political, economic, diplomatic, and intellectual influence. This decentering is symbolized by the sense of the loss of old colonial empires such as those of Japan, Britain, and the United States.
An excursion across the boundaries of language and culture, this provocative book suggests that national identity and cultural politics are, in fact, "all in the translation". Translation, we tend to think, represents another language in all its integrity and unity. Naoki Sakai turns this thinking on its head, and shows how this unity of language really only exists in our manner of representing translation. In analyses of translational transactions and with a focus on the ethnic, cultural, and national identities of modern Japan, he explores the cultural politics inherent in translation. Through the schematic representation of translation, one language is rendered in contrast to another as i...
How can a post-national Japanese Studies be defined? How might the postwar myth of a monoethnic Japan be historicized? Can new forms of nationalism be effectively criticized by evoking a spirit of nationalist democracy? This book contains a series of groundbreaking essays by major Japanese and American scholars seeking to locate "Japan" beyond the geographical and ideological boundaries established post-1945 and under the Cold War. Included are essays on such iconic cultural figures as Maruyama Masao and Takamura Kōtarō; on the impact of colonialism on prewar theories of race, language, and multi-culturalism; on gender and nationalism; on the critique of culturalist notions of the "native speaker" and "mother tongue," and on Asian nationalisms in the era of globalization.
"Toward the end of the seventeenth century, Naoki Sakai maintains, a radical change took place in Japanese discourse--the sudden emergence of multiple new possibilities of conceptualizing the world. In this brilliant and searching reinterpretation of the cultural history of the Tokugawa period, Sakai traces this shift across a spectrum of artistic and critical texts from puppet theater to Confucian commentary. He asserts that during this time a new emphasis was placed on textual performance, practice, and communication, and he illuminates its ethical and political consequences." "Sakai draws upon the insights of recent critical theory as he explores the historical consciousness of texts and ...
Postmodernism and Japan is a coherent yet diverse study of the dynamics of postmodernism, as described by Lyotard, Baudrillard, Deleuze, and Guatarri, from the often startling perspective of a society bent on transforming itself into the image of Western “enlightenment” wealth and power. This work provides a unique view of a society in transition and confronting, like its models in the West, the problems induced by the introduction of new forms of knowledge, modes of production, and social relationships.
Scholars of history, anthropology, literature, and film explore the transformations in Japanese politics, culture, and society since Japans recession of the early 1990s.
Translation, Biopolitics, Colonial Difference, the fourth book in the Traces series, focuses on the problems of translation and the political dynamics surrounding multiplicity -- linguistic, regional, transnational, and civilizational -- today.
Since the end of World War II, Japan has determinately remained outside the current of world events and uninvolved in the processes determining global history and politics. In Japan and the World, distinguished scholars, novelists, and intellectuals articulate how Japan—despite unprecedented economic prowess in securing dominance in the world's market—is caught in a complex dependency with the United States. Drawing on critical and postmodernist theory, this timely volume situates this dependency in a broader historical context and assesses Japan's current dealings in international politics, society, and culture. Among the many topics covered are: racism in U.S.-Japanese relations; produ...