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Japan, Race and Equality
This study explores the Japanese motivations in raising the proposal for racial equality at the 1919 Paris Peace Conference. This is the first comprehensive analysis of an historically significant event which has not been given adequate scholarly attention in the past. The story which unfolds underlines the complexity of politics and diplomacy surrounding the racial equality proposal and analyses the effect of the failure of the proposal on Japan's politics in the 1920s and 1930s.
Nationalisms in Japan
Nationalisms in Japan brings together leading specialists in the field to discuss how notions of ‘nationalism’ in modern Japan impinges on all aspects of social, political and cultural understanding of the Japanese nation or the Japanese state. This book is clearly presented and jargon-free, and encompasses a chronological period of roughly two hundred years, beginning with a discussion of some of the early Japanese national thinkers of the Mito School, and ending with a contemporary discussion of the official visits made by Prime Minister Koizumi Jun’ichiro to the highly controversial Yasukuni Shrine. This wide chronological period allows for important observations about the evolution of nationalism, suggesting that Japan actually houses multiple ‘nationalisms’. Presenting new insights and understanding, this is a valuable addition to those working on modern Japan and nationalism.
Japanese Society at War
As the first international conflict of the twentieth-century, the Russo-Japanese War attracted much contemporary global interest. This is the first full-length study to examine the war from the perspective of its impact on Japanese society, and sheds new light on its implications for modern Japan. What did the war mean to the Japanese people and how did they respond to it? Naoko Shimazu presents a fascinating and highly innovative account of the attitudes of ordinary Japanese people towards the war through a wide range of sources including personal diaries, letters, and contemporary images. She deals with themes such as conscripts and battlefield death, war commemoration, heroic myths, and war in popular culture. Challenging the orthodox view of Meiji Japan as monolithic, she shows that there existed a complex and ambivalent relationship between the Japanese state and society.
Imagining Japan in Post-war East Asia
In the decades since her defeat in the Second World War, Japan has continued to loom large in the national imagination of many of her East Asian neighbours. While for many, Japan still conjures up images of rampant military brutality, at different times and in different communities, alternative images of the Japanese ‘Other’ have vied for predominance – in ways that remain poorly understood, not least within Japan itself. Imagining Japan in Postwar East Asia analyses the portrayal of Japan in the societies of East and Southeast Asia, and asks how and why this has changed in recent decades, and what these changing images of Japan reveal about the ways in which these societies construct ...
Refracted Modernity
Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscape during the Japanese colonial period (1895–1945), focusing variously on travel writings, Western and Japanese/Oriental-style paintings, architecture, aboriginal material culture, and crafts. Issues addressed include the imagined Taiwan and the "discovery" of the Taiwanese landscape, which developed into the imperial ideology of nangoku (southern country); the problematic idea of "local color," ...
Asia after Versailles
Asia After Versailles addresses an important but neglected watershed for Asian nations - the response to the Paris Peace Conference of 1919. The Conference marked the end of a conflict which, although intrinsically European, had globalized the world on many levels, politically as well as economically, culturally and socially. It also stood at the beginning of a new order that saw the power centre shift towards the US and Asia. Asian countries and people played a significant but so far largely neglected role in this momentous development. Bringing together an international range of experts in the history of China, Japan, India and the Ottoman Empire/Turkey, this pioneering volume demonstrates...
Revenge, Agency, and Identity from European Drama to Asian Film
Eric Dodson-Robinson’s Revenge, Agency, and Identity from European Drama to Asian Film challenges critical readings of drama, film, and literature that downplay agency. From Attic tragedy, through Seneca and Shakespeare, and into Japanese and Korean film, the book pursues the agent of vengeance in her fury to reconstruct an identity shattered by trauma. Tragic revenge is an imaginary theater only partly encompassed by disciplines, institutions, and discourses. In this theater, violence becomes contagious and potentially transformative as performance gives birth to the agent of vengeance: a complex, emergent agent who is more than the sum of the actors, auteur, tradition, and audience, all of whom infiltrate, and strive to control, her will. The agent of vengeance, determined to outdo past exemplars, exacts traumatic excess, not equivalence.
Men in Metal
In his pioneering study, Men in Metal, Sven Saaler examines Japanese public statuary as a central site of historical memory from its beginnings in the Meiji period through the twenty-first century. Saaler shows how the elites of the modern Japanese nation-state went about constructing an iconography of national heroes to serve their agenda of instilling national (and nationalist) thinking into the masses. Based on a wide range of hitherto untapped primary sources, Saaler combines data-driven quantitative analysis and in-depth case studies to identify the categories and historical figures that dominated public space. Men in Metal also explores the agents behind this visualized form of the politics of memory and introduces historiographical controversies surrounding statue-building in modern Japan.
Refracted Modernity
Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscape during the Japanese colonial period (1895–1945), focusing variously on travel writings, Western and Japanese/Oriental-style paintings, architecture, aboriginal material culture, and crafts. Issues addressed include the imagined Taiwan and the "discovery" of the Taiwanese landscape, which developed into the imperial ideology of nangoku (southern country); the problematic idea of "local color," ...
Politics in Publishing
Politics in Publishing focuses on Japan’s involvement in shaping international copyright law over a seventy-year period following the country’s 1899 accession to the Berne Convention, the first multilateral copyright treaty. During this time, Japanese state officials collaborated with various stakeholders such as publishers, translators, and legal experts to strategically influence the international revision process of the treaty. The involvement of these actors in international organizations such as the League of Nations and the United Nations affected global copyright norms even as Japan advanced its imperial – national after 1945 – and capitalist interests. Taking a previously lac...
