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Voicing Gender
  • Language: en
  • Pages: 254

Voicing Gender

Documents the changes in approaches to gender in opera in the early 19th century.

Black Opera
  • Language: en
  • Pages: 386

Black Opera

From classic films like Carmen Jones to contemporary works like The Diary of Sally Hemings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to explore this music's resonance with today's listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate. Viewing opera as a fertile site for critical inquiry, political activism, and social change, Black Opera lays the foundation for innovative new approaches to applied scholarship.

André Gide
  • Language: en
  • Pages: 408

André Gide

  • Type: Book
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  • Published: 1998
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  • Publisher: Unknown

Gide's sexuality was explicitly central to everything he wrote, but it was complex, moved as much by undesire as desire and the fascination for crime, education, virtue, or play. Naomi Segal traces the fluidity of motivation throughout his fiction and nonfiction, through the analogy of the mechanical processes of the male body.

I'll Find You
  • Language: en
  • Pages: 405

I'll Find You

Callie Cantrell has only fragmented memories of the car accident that killed her husband and son. One year later, she's still trying to start over, yet she can't shake her unease. Especially when former LA cop West Laughlin barges into her life, searching for his young nephew. At first he thinks Callie's lying about who she is and what she knows. But soon it's clear that Callie and West are linked by a killer who has bent others to his twisted will. The worst night of Callie's life was just the beginning of his vengeance. And when her turn comes again there will be no escape. . .

World of Blood
  • Language: en
  • Pages: 299

World of Blood

  • Type: Book
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  • Published: Unknown
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  • Publisher: Mark Smith

Martin’s family has grown to proportions never seen in vampire history, with his children embedded in all aspects of human power and finance. The one thing beyond his reach is the destruction of the planets environment. Bonded and intertwined with the rainforests and jungles of South America, Sophia and her children attempt to restore and rehabilitated the ravaged continent, fighting to save what is left of the wilderness, the natives and the lands that she loves. While all agree to save the lands, Sophia's decision for a more direct, aggressive method deeply divides the family, the schism pitting the family against each other. Will the world ever be the same once Martin takes matters into his own hands?

Intersectional Approach
  • Language: en
  • Pages: 654

Intersectional Approach

Inter sectionality, or the consideration of race, class, and gender, is one of the prominent contemporary theoretical contributions made by scholars in the field of women's studies that now broadly extends across the humanities, social sciences, and natural sciences. Taking stock of this transformative paradigm, The Intersectional Approach guide...

The Chiffon Trenches
  • Language: en
  • Pages: 332

The Chiffon Trenches

‘Honestly and candidly captures fifty sublime years of fashion’ Manolo Blahnik Discover what truly happens behind the scenes in the world of high fashion in this detailed, storied memoir from style icon, bestselling author and former Vogue creative director André Leon Talley.

Touch
  • Language: en
  • Pages: 298

Touch

  • Categories: Law

Described by Aristotle as the most vital of senses, touch contains both the physical and the metaphysical in its ability to express the determination of being. To manifest itself, touch makes a movement outwards, beyond the body, and relies on a specific physical involvement other senses do not require: to touch is already to be active and to activate. This fundamental ontology makes touch the most essential of all senses. This volume of ‘Law and the Senses’ attempts to illuminate and reconsider the complex and interflowing relations and contradictions between the tactful intrusion of the law and the untactful movement of touch. Compelling contributors from arts, literature and social sc...

The Routledge Companion to Musical Theatre
  • Language: en
  • Pages: 838

The Routledge Companion to Musical Theatre

Global in scope and featuring thirty-five chapters from more than fifty dance, music, and theatre scholars and practitioners, The Routledge Companion to Musical Theatre introduces the fundamentals of musical theatre studies and highlights developing global trends in practice and scholarship. Investigating the who, what, when, where, why, and how of transnational musical theatre, The Routledge Companion to Musical Theatre is a comprehensive guide for those studying the components of musical theatre, its history, practitioners, audiences, and agendas. The Companion expands the study of musical theatre to include the ways we practice and experience musicals, their engagement with technology, an...

Social Medium
  • Language: en
  • Pages: 151

Social Medium

(Free Paranormal Cozy Murder Mystery with a Female Detective) All In A Day’s Haunting I’d come to terms with what Sadie Hatch did to me five years ago, setting me up to take the fall for her blackmail scheme the way she did. I’d had time, my six months behind bars, to come to terms with my innocence, and subsequent loss of said naiveté. There’d been a time I’d held a grudge, but that time was long gone. The fact she was dead helped. Did it make me a bad person I wasn’t sorry? Sometimes I wondered. Then again, other times? This life—and the afterlife—had a funny way of evening out the scales of justice. I’d seen it happen often enough to know judging myself for what I was t...